OYENTE

KRN

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  • 9
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decent and humanist but ultimately empty

Total
1 out of 5 stars
Ejecución
5 out of 5 stars
Historia
1 out of 5 stars

Revisado: 12-06-24

well written. a decent humanist voice. but ultimately without any particular lasting insight or innovation. given that he has passed away i want to leave a good review, but in truth this book was a waste of time.

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a marvelous book - with some quibbles

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 12-05-24

For now I will simply make a couple notes on issues other than the main theme:

- my favourite publisher, Verso, did a bad job with the copy on this one. In multiple places I found myself correcting the incorrect word choices that made no sense. they meant to write "fell" but they published "feel" etc etc. the syntax generally was often difficult to process in the print edition. without using a hybrid print/audiobook reading method i might not have enjoyed it as much

- the author makes repeated recourse to israel as some kind of analogue to the power dynamics of her family conflict. she seems to think she is saying something profound. yet while she demands to be taken seriously, for her suffering to be acknowledged and then, coherently, for those who acknowledge her suffering to take appropriate action in favour of justice - the author does not do the same with israel. she intimates that she has taken a position in favour of justice, but never makes it explicit and therefore, in fact, never does. the closest parallel in her own book of her treatment of the israel question is her sister Astrid's treatment of her. "she shows how much she has practised being a good and sensible human being, a kind of officially good person.... she knows that [Palestine] is telling the truth, but if she were to acknowledge it, accept it, there would be consequences, and she's incapable of dealing with them." as a result, the image that comes across is that tel aviv is a wonderful place, and we should wring our hands because something unidentified and unrecognised is wrong with Gaza and some refugees being so close to it. near the end the author pulls away from her Balkans and Israel analogies and moves the parallel to Ireland. But what this choice might represent isn't even hinted at. Thus, despite the great impact this book had on me, it must be stated that the difficulty of genocide is not that both perpetrator and victim claim they are the victim. Her mother and sister rhetorically usurped her rightful role as victim to avoid acknowledgement and reparation, and by not embodying that more resolutely in her text - that Israel does the same to the Palestinians - the author ends up replicating the moral failure of her family on a geopolitical scale.

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this would have been better as a short nonfiction essay

Total
2 out of 5 stars
Ejecución
4 out of 5 stars
Historia
1 out of 5 stars

Revisado: 10-07-23

smith misses the mark here, sadly. there is no value added, no nuance, no argument that develops depth and breathes better for being stretched into this long work of fiction. what's more, it is difficult to follow. Smith would have been better off putting her thoughts (on slavery, oppression, the search for justice within systems of injustice, colonialism and the difficulty and importance of writing) into a brief little essay. they would not take up too many pages, so she could append them with a historical summary of the trial she tried to add colour to via this book.

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