KRN
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The Price of Experience
- Writings on Living with Cancer
- De: Mike Marqusee
- Narrado por: Alex Hyde-White
- Duración: 1 h y 55 m
- Versión completa
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Historia
Writer and political activist Mike Marqusee was diagnosed with multiple myeloma, a type of blood cancer, in the summer of 2007. At first, disinclined to share his misery with others, he was reluctant to write about his illness. But he then came to realize that doing so provided a precious continuity with his life as a writer before contracting the disease, and a way of reaching out to a wider world that the illness made physically less accessible.
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decent and humanist but ultimately empty
- De KRN en 12-06-24
- The Price of Experience
- Writings on Living with Cancer
- De: Mike Marqusee
- Narrado por: Alex Hyde-White
decent and humanist but ultimately empty
Revisado: 12-06-24
well written. a decent humanist voice. but ultimately without any particular lasting insight or innovation. given that he has passed away i want to leave a good review, but in truth this book was a waste of time.
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Will and Testament
- A Novel
- De: Vigdis Hjorth
- Narrado por: Nano Nagle
- Duración: 8 h y 33 m
- Versión completa
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Historia
When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.
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Well written but difficult subject matter
- De Expedition44 en 07-04-21
- Will and Testament
- A Novel
- De: Vigdis Hjorth
- Narrado por: Nano Nagle
a marvelous book - with some quibbles
Revisado: 12-05-24
For now I will simply make a couple notes on issues other than the main theme:
- my favourite publisher, Verso, did a bad job with the copy on this one. In multiple places I found myself correcting the incorrect word choices that made no sense. they meant to write "fell" but they published "feel" etc etc. the syntax generally was often difficult to process in the print edition. without using a hybrid print/audiobook reading method i might not have enjoyed it as much
- the author makes repeated recourse to israel as some kind of analogue to the power dynamics of her family conflict. she seems to think she is saying something profound. yet while she demands to be taken seriously, for her suffering to be acknowledged and then, coherently, for those who acknowledge her suffering to take appropriate action in favour of justice - the author does not do the same with israel. she intimates that she has taken a position in favour of justice, but never makes it explicit and therefore, in fact, never does. the closest parallel in her own book of her treatment of the israel question is her sister Astrid's treatment of her. "she shows how much she has practised being a good and sensible human being, a kind of officially good person.... she knows that [Palestine] is telling the truth, but if she were to acknowledge it, accept it, there would be consequences, and she's incapable of dealing with them." as a result, the image that comes across is that tel aviv is a wonderful place, and we should wring our hands because something unidentified and unrecognised is wrong with Gaza and some refugees being so close to it. near the end the author pulls away from her Balkans and Israel analogies and moves the parallel to Ireland. But what this choice might represent isn't even hinted at. Thus, despite the great impact this book had on me, it must be stated that the difficulty of genocide is not that both perpetrator and victim claim they are the victim. Her mother and sister rhetorically usurped her rightful role as victim to avoid acknowledgement and reparation, and by not embodying that more resolutely in her text - that Israel does the same to the Palestinians - the author ends up replicating the moral failure of her family on a geopolitical scale.
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The Fraud
- De: Zadie Smith
- Narrado por: Zadie Smith
- Duración: 12 h y 26 m
- Versión completa
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It is 1873. Mrs Eliza Touchet is the Scottish housekeeper - and cousin by marriage - of a once famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.
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this would have been better as a short nonfiction essay
- De KRN en 10-07-23
- The Fraud
- De: Zadie Smith
- Narrado por: Zadie Smith
this would have been better as a short nonfiction essay
Revisado: 10-07-23
smith misses the mark here, sadly. there is no value added, no nuance, no argument that develops depth and breathes better for being stretched into this long work of fiction. what's more, it is difficult to follow. Smith would have been better off putting her thoughts (on slavery, oppression, the search for justice within systems of injustice, colonialism and the difficulty and importance of writing) into a brief little essay. they would not take up too many pages, so she could append them with a historical summary of the trial she tried to add colour to via this book.
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