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In the early days of ancient Greece, queer love was celebrated. The most famous warrior in antiquity loved another man, the poet whose lyrics were memorised by philosophers and kings sang of her desire for women. Men could swear oaths of undying love and live out the rest of their lives together in peace. What fragments survive of this ancient world all tell us one thing: it was not a sin to be queer.

A High Price for Freedom has descriptive copy which is not yet available from the Publisher.

Marcos Gonsalez found his greatest source of joy when he encountered queer theory in college. As they put it, "queers and college go together like peanut butter and jelly," and for them, this was especially true. Seeing himself reflected in the work José Esteban Muñoz was life-changing: Muñoz's theory of disidentification empowered Gonsalez to reclaim their Latinx and queer identities—and inspired him to push back against the largely-white monolith of queer theory.

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality.

New Mexico's Spanish legacy has informed the cultural traditions of one of the last states to join the union for more than four hundred years, or before the alluring capital of Santa Fe was founded in 1610. The fame the region gained from artist Georgia O'Keefe, writers Lew Wallace and D. H. Lawrence, and pistolero Billy the Kid has made New Mexico an international tourist destination.

In Black History Is for Everyone, award-winning educator and scholar Brian Jones offers a meditation on the power of Black history, using his own experiences as a life-long learner and classroom teacher to question everything from the meaning of race and nation to the radicalism of the American Revolution.

In Bad Medicine, Sarah A. Whitt exposes how Native American boarding schools and other settler institutions like asylums, factories, and hospitals during the late nineteenth and early twentieth centuries worked together as a part of an interconnected system of settler domination. In so doing, Whitt centers the experiences of Indigenous youth and adults alike at the Carlisle Indian School, Canton Asylum for Insane Indians, Ford Motor Company Factory, House of the Good Shepherd, and other Progressive Era facilities.

With 24 step-by-step tools for how you can feel more empowered in sex and in life, Turn Yourself On is a practical guide that will radically transform your relationship to sex. Rebellious, relatable and real talk, it takes you on the ultimate journey of self-discovery with the exact blueprint you need to feel more connected, to communicate more confidently, and ultimately, to enjoy sex – and life – like never before.

In this dazzling work of restorative history, Dr Anthony Delaney has traced the stories of people daring to challenge society's expectations, unearthing archives and court records to reveal the tragedies and the joys of queer life three centuries ago.

Talk Treaty to Me has descriptive copy which is not yet available from the Publisher.

It’s 1996, and Jeremy has met the British boy of his dreams — just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples federal rights, including immigration. The pair snatch time in forests and deserts, London fashion shows, Berlin sex clubs and East Village hotel rooms. Finding no other way to stay together, they shack up illicitly among unlikely allies in San Francisco. Deep House moves through the couple’s domiciles while unlocking doors to a lineage of gay men who have come before.

Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life. In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines.

Taking us through a criminalised underworld of pubs, parties and campaign gatherings, The Light of Day charts how Roger Butler helped bring about a change in the law, legalising sex between men, but soon found himself marginalised from the movement he kickstarted after becoming completely blind in his early 30s. Worn down trying to navigate life afresh in London, he left for Oxford, where he became increasingly isolated and never found the life partner he so desperately wanted.

Transparently and gloriously written, My Weight in Water is a definitively American work about what it costs one swimmer to enter the pool and why he does it anyway—imagining a future where all people have access to an activity that renders us weightless.