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Featuring fifteen new essays by trans people of color—spanning writers, scientists, actors, activists, and drag queens—Both/And explores what it means to live as a trans or gender nonconforming person of color today. Acclaimed authors Akwaeke Emezi, Tanaïs, Meredith Talusan, and J Wortham, share their stories alongside activist and organizer Raquel Willis and RuPaul’s Drag Race star Peppermint, as well as a host of rising literary talent.

Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life. In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines.

This revised edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South—their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.

From 1817 to 1858, a series of military conflicts known as the Seminole Wars took place between the United States and the Seminole Tribe of Florida as they battled for ownership of the land. Within this unconquered territory, former slaves and Seminole tribe members had lived side by side for generations, intermarrying and building communities in the interior, beyond the reach of the growing United States. But in 1835, the young country brought fire upon them, seeking to forcibly remove the Seminoles and reclaim any slaves in their path.

Water Mirror Echo—a title inspired by Bruce Lee’s own way of moving, being and responding to the world—is a captivating and powerful reminder. At the helm is Jeff Chang, the award-winning author of Can’t Stop Won’t Stop, whose writing on culture, politics, the arts and music have made him one of the most acclaimed and distinctive voices of our time. In his hands, Bruce Lee’s story brims with authenticity.

Black Revolutionaries is an accessible yet rigorously argued history of the Black Panther Party (BPP), one of the emblematic organizations of the 1960s. Joe Street highlights the complexity of the BPP's history through three key themes: the BPP's intellectual history, its political and social activism, and the persecution its members endured. Together, these themes confirm the BPP's importance in understanding Black America's response to white oppression in the 1960s and 1970s.

As a young girl growing up in Houston, Margaret Juhae Lee never heard about her grandfather, Lee Chul Ha. His history was lost in early twentieth-century Korea, and guarded by Margaret's grandmother, who Chul Ha left widowed in 1936 with two young sons. To his surviving family, Lee Chul Ha was a criminal, and his granddaughter was determined to figure out why.

An exploration of artistic freedom, survival, and the hidden places of the imagination, including James Baldwin in Provence, Josephine Baker in Paris, Kevin Killian in San Francisco, and E. M. Forster in Cambridge, among other groundbreaking queer artists of the twentieth century. Nothing Ever Just Disappears is a radical new history of seven queer lives and the places that shaped these groundbreaking artists.

What are the forces that shape us? In The Women, Hilton Als explores—with breath taking originality—the role of sexual and racial identity in marginalized lives. Combining memoir, cultural history, social theory and storytelling, The Women is a profoundly innovative work which has inspired a generation of writers. Here, Als submits both racial and sexual stereotypes to scrutiny, showing ‘no mercy but every tenderness’. The results are exhilarating. The Women is that rarest of books: a memorable work of self-investigation that creates a form of all its own.

Getting to Reparations makes a logical and necessary case for reparations for Black Americans. It lays out a path as to how we might achieve this, built on the frameworks used throughout U.S. history by the government to pay restitution. It is now time to do the same for America's Black population.

In Black History Is for Everyone, award-winning educator and scholar Brian Jones offers a meditation on the power of Black history, using his own experiences as a life-long learner and classroom teacher to question everything from the meaning of race and nation to the radicalism of the American Revolution.

Despite North Tulsa, Damario Solomon-Simmons’ hometown, once being the mecca for Black wealth, north Tulsans don’t own land or property, don't have access to inheritance or generational wealth, and mostly live paycheck to paycheck. We see through young Damario’s eyes–and the subtle and direct racism he faces–that Tulsa hasn’t shed its racist roots. Combining his own experience and the evocative portrait of a city suffering under one hundred years without repair, Redeem a Nation acknowledges why restorative justice is urgent and critical.

With Moving Toward Freedom, eminent historian Susan O’Donovan radically widens the lens to reveal a new landscape of the slaveholding South: one in which enslaved workers were not pinned in place but mobile, deployed as laborers—and even as captains—on steamboats and ferries, or as teamsters transporting staple crops across the expanding country, or as ladies’ maids waiting on their mistresses on European vacations.

Whether inside the therapy room or on your own, in Healing the Oppressed Body, you’ll learn how to heal through growing compassion for all parts of yourself and others, finding community support and love, and celebrating the freedom to be your true self.

In this dazzling work of restorative history, Dr Anthony Delaney has traced the stories of people daring to challenge society's expectations, unearthing archives and court records to reveal the tragedies and the joys of queer life three centuries ago.

The forms of intimacy and care that we’ve been sold are woefully inadequate and problematic. In a world that treats those who are sick and traumatized as problems in need of a cure, nonbinary writer, artist, educator, and Instagram creator Margeaux Feldman offers a different story. Trauma, which all too often manifests as chronic illness, tells us that there is something deeply wrong with the world we live in. A world that promotes individualism, fractures us from community through violence and systemic oppression, and leaves us traumatized. That is what we need to cure.

When these gorgeous queens dress up in their stunning gown with picture perfect makeup, haters label them as inappropriate and unlawful. They are entertainers not predators. Drag is an art of self-expression that, at its core, affirms and uplifts LGBTQIA+ people. No Tea, No Shade is a collective anthem written by six drag queens who believe in equality, peace, and in a world that loves and respects all people.

The Westerners tells two richly detailed and interwoven stories. The first reveals the captivating lives of women and men moving through the American West—Indigenous peoples, Black Americans, Mexican Americans, and Canadian and Asian immigrants—in the 19th century. The second tracks the attempts of many Americans to erase these westerners from history, through a frontier myth that lionized individualism and conquest and celebrated white settlers traveling west in search of prosperity.

Since the 1990s, demographers have been documenting a new Great Migration: millions of Black Americans leaving Northern and Western cities for the South their parents and grandparents fled during Jim Crow. Huge numbers of Black people have been moving to Memphis, Houston, Charlotte, and other booming metropolises in the hopes of recreating the vibrant communities their grandparents once left. Have they found what they were looking for? Is it possible for Black Americans to have community, economic prosperity, and safety all in one place? And if so, where?

An American Tale has descriptive copy which is not yet available from the Publisher.