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In the early days of ancient Greece, queer love was celebrated. The most famous warrior in antiquity loved another man, the poet whose lyrics were memorised by philosophers and kings sang of her desire for women. Men could swear oaths of undying love and live out the rest of their lives together in peace. What fragments survive of this ancient world all tell us one thing: it was not a sin to be queer.

In June of 1952, German publishing tycoon Axel Springer was sending a new paper to print: a four-page broadsheet that almost ready, save for a narrow blank on the second page. With minutes to spare, Springer commissioned a one-block cartoon of a petite blonde with a predilection for rich men. That blonde was named “Lilli.” But in a span of seven short years, she would be reborn in plastic, across an ocean, and under a different name: Barbara Millicent Roberts.

In 2014, David Goldblatt published The Game of Our Lives, an exhaustive and critically-acclaimed ‘state of the nation’ account of the UK told through the prism of football. A William Hill Award-winner, the book was described by historian David Kynaston as ‘enlightening, enriching and exceptional’, and Goldblatt was consequently heralded by Dominic Sandbrook in the Sunday Times as possibly the greatest football historian there has ever been.

This definitive book will offer a unique and captivating exploration of football's rich legacy, told through 100 carefully selected objects from the unrivalled collection of the National Football Museum – the world's largest. Delving into the sport's social, cultural, and technological evolution, it will take you inside moments of high drama, euphoric success and crushing heartbreak to peel back the layers of the world's favourite game.

The explosion of glee and sympathy for Luigi surprised everyone, but it was everywhere. Hours after the shooting of the United Healthcare executive, his company put out a message out on Facebook saying their “hearts go out to Brian’s family and all who were close to him.” People replied with laughing emojis and comments like this one: “No one here is the judge of who deserves to live or die. That’s the job of the AI algorithm the insurance company designed to maximize profits on your health.”