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Summer, 1989: ten-year-old Suzanne is drawn like a magnet to her father's forbidden world of electric guitars and tricked-out cars. When her mother remarries, she jumps at the chance to tag along on the concert tour that just might be Gil and the Kills' wild ride to glory. But fame has sharper fangs than anybody realized, and as the band blazes up the charts, internal power struggles set Gil and his group on a collision course destined for a bloody reckoning - one shrouded in mystery and lore for decades to come.

Ukraine, 2022. Yeva is a loner and a maverick scientist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails while her relatives urge her to give up, settle down and finally start a family of her own. What they don’t know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity.

伝説の「青春三部作」三作目が待望のオーディオブック化！名著復刊！　伝説の「青春三部作」が現代に甦る！二十三歳の松尾勇は、デパート業界の新聞や雑誌を発行している小さな会社の新米編集者。

伝説の「青春三部作」三作目が待望のオーディオブック化！青春は不滅だ！！名著復刊！　伝説の「青春三部作」が現代に甦る。

In a future San Francisco transformed by years of rain, Bo, a 40-year-old lapsed artist, is grieving the community she’s lost to catastrophic flooding. Her friends and family have disappeared or fled, the streets are rivers, and the buildings are falling apart. Yet on the day of her planned departure, Bo finds a note slipped under her door: I need help, it reads. Three days a week, afternoons. Can pay in cash.

Maggie, Harley and Róise are friends on the brink: of triumph, catastrophe, or maybe just finally growing up. Their crumbling Belfast houseshare has been witness to their roaring twenties, filled with questionable one-night stands and ruthless hangovers. But now fault-lines are beginning to show. The three girls are still grieving the tragic death of their friend, Lydia, whose room remains untouched. Their last big fight hangs heavy over their heads, unspoken since the accident. And now they are all beginning to unravel.

Earth is trapped in the crossfire of an unwinnable war between two alien civilizations. Its leader is perpetually on the verge of death. And on top of that, a new drug has just entered circulation—a drug that haphazardly sends its users traveling through time. In an attempt to escape his doomed marriage, Dr. Eric Sweetscent becomes caught up in all of it. But he has questions: Is Earth on the right side of the war? Is he supposed to heal Earth's leader or keep him sick? And can he change the harrowing future that the drug has shown him?

大重版人気シリーズ最新刊!謎多き公安捜査官・純也の過去がついに暴かれる!外務省の役人が殺された。プロの犯行だった。極秘に捜査するエリート公安捜査官の小日向純也は、被害者の上司の不審死を知る。二人は、自衛隊の南スーダン派遣に関わっていた。

警視庁公安庶務課、通称「公安J」。類稀なる身体能力、海外で傭兵として活動したことによる豊富な経験、莫大な財産を持つ小日向純也が率いる公安の特別室である。ある日、警視庁公安部部長・長島のもとへドイツの駐在武官が一緒に自衛隊閲覧式へ行ってほしいとやって来た。一緒に向う長島だったが、式にて日本国総理大臣でもあり純也の父でもある和臣が狙撃されてしまう。

全米を震撼させた連続殺人鬼、シャドウ・ドクター。日本に上陸したとの情報を得たFBI特別捜査官ミシェル・フォスターは、エリート公安捜査官・小日向純也に捜査の全面協力を要請する。しかし相手は一切姿を見せず、捜査は一向に進まない。殺人鬼の魔手が忍び寄る中、純也とシャドウ・ドクターの意外な繋がりが明らかになり……。

日中諜報戦勃発違法すれすれの捜査で因縁の事件を解決するのはどっちだ!日本に売られた子供＜黒孩子＞を利用し、中国犯罪集団が非合法活動を行ったブラックチェイン事件から三年。生き残った者達に事件についての脅迫電話がかかって来た。

自衛隊の絆が、日本を戦場にする―。公安捜査官・純也が日本のタブーと対峙する！小日向純也が率いる公安部隊「Ｊ分室」。ある日防衛大学校の卒業生が相次いで死亡した。

エリート公安捜査官・小日向純也の目の前で自爆テロ事件が起きた。犯人はスペイン語と思しき言葉を残すものの、意味は不明。ダイイングメッセージだけを頼りに捜査を開始した純也だったが、要人を狙う第二、第三の自爆テロへと発展してしまう。

中国には困窮や一人っ子政策により売られた、この世には存在しない子供〈黒孩子〉が存在する。多くの子は成人になることなく命の火を消すが、一部、兵士として英才教育を施され日本に送り込まれた男たちがいた。組織の名はブラックチェイン。人身・臓器売買、密輸、暗殺と金のために犯罪をおかすシンジケートである。

At the Edinburgh Fringe, vicious theatre critic Alex Lyons is dashing off his latest hatchet job. When Alex meets the show’s performer, Hayley, in a bar afterwards, she has no idea who he is. It’s only after they’ve spent the night together that Alex’s well-meaning flatmate, Sophie, accidentally shows Hayley the one-star review. Humiliated and furious, Hayley revamps her show into a one-star review of Alex’s entire life. Starring every bad thing he’s ever done to anyone. Sparing absolutely no details.

Ten-year-old Margaret hides beneath a blackberry bush in her family’s lush backyard while her brother hunts for her in a game of flashlight tag. Hers is a childhood of sunlit swimming pools, Saturday morning pancakes and a devoted best friend, but her family life requires careful prudence. Her mother can be as brittle as she can be loving, and her father and brother assume familiar, if uncomfortable, models of masculinity. Then late one fateful summer, everything changes. A line is crossed and in the wake of that betrayal the simple pleasures of girlhood slip away.

The South unfolds during a visit by the Lim family to their rural clan estate after a long absence. Jay, in his mid-teens, and his two older sisters are less than thrilled to leave their city for the remote house in the south, but their parents, Sui Ching and Jack, are adamant.

Leila loves so much that she considers abandoning her religion and beliefs to service her desire. Rafia gives so much to her husband and family that she loses all sight of the woman she once was, and who she wants to be. Tabani turns 30 and is told she would be too much for any romantic relationship, but in her friendships she is able to be every inch of herself. Womanhood cannot be contained or summarised neatly, and each of these three women are fighting to carve out exactly what it means to them.

In the summer of 1938, Sonja is lifted onto a Kindertransport train that will take her from Nazi-occupied Austria to London. She leaves behind her parents, Fania and Arnold, and her baby brother Moses. She is the only member of her family to survive. In 1966 Fania is working as a massage therapist in Montreal, a place that provided her safe haven after she lost her entire family in the Second World War. And yet there are strange echoes, impressions, of those she loves everywhere she turns. Has she lost her mind or is her family still alive?

In a lighthouse on a crumbling coastline, two greying wives keep the fires lit, reading futures in fish scales and sending signals into the dark, while a monster with an almost human face circles their garden, sly and hungry. Further up the coast, a woman experiencing strange cravings after an intense heartbreak feels herself pulled to the light at the cliff's edge, where she might finally be able to satisfy her hunger.