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Giacomo Brolo, aka Jack, is a mess. He works piecemeal construction gigs in remote WA, drinks himself to oblivion and is estranged from his family and friends. He's consumed by a self-loathing all too common for closeted men who have grown up in a world of hate and shame. But then Jack returns to his regional hometown of Geraldton for a family wedding. He hasn't been back since he fled at the age of eighteen, and his past soon catches up with him.

In gorgeous and emotional prose, Jaquira Díaz tells a profoundly moving story of one unforgettable family. and Growing up in Puerto Rico, Maricarmen works hard, getting good grades, and cleaning houses after school. She dreams of becoming a singer. When she meets Rey, a young Black musician, she falls in love with his dynamism and his voice. But when her mother discovers their relationship, the course of Maricarmen’s life is changed forever.

in Frauenfestival ohne Männer. Ein Männercamp ohne Frauen. Und dazwischen die Clique aus der Barbary Lane. Chaos zieht ein in die majestätischen Redwood-Wälder nördlich von San Francisco, als ein lesbisches Musikfestival sein Lager flussabwärts von einem Rückzugsort für Geschäftsmänner aufschlägt. Bald schon geht es fröhlich drunter und drüber, quer durch Zuneigungen und Leidenschaften, doch auch in der Stadt bleibt es nicht ohne Trubel. Mary Ann versucht, ihren neuen Job als Talkshow-Host mit dem Familienleben in Einklang zu bringen, während Brian seinem Neffen das Leben als Mann erklärt.

Lemon, poppy seed, sun-warmed sand. These visions convince Aoife to quit her job, leave her manipulative boyfriend, and escape to the isolated shores of the Farmstead commune. There, among its charismatic and hedonistic residents, Aoife finds everything she’s been missing: a community that adores her, the freedom to indulge, and the promise to be a part of something miraculous. But darkness underpins her airy new way of life. A disappearing cave looms above an ocean no one dares step foot in, mysterious crying fills the night hours, and a rot is spreading across the island.

Across Lagos, one of Africa's largest urban areas and one of the world's most dynamic cities, Osunde’s characters seek out love for themselves and their chosen partners, even as they risk ruining relationships with parents, spouses, family, and friends. As the novel unfolds, a rolling cast emerges: vibrantly active, stubbornly alive, brazenly flawed. As these characters grapple with desire, fear, time, death, and God, they form and break unexpected connections.

Cambridge, 2018. Ana and Luis's relationship is on the rocks, despite their many similarities, including mothers that both fled El Salvador during the war. In her search for answers, Ana uses The Defractor, an experimental device that allows users to peek into alternate versions of their lives. What she sees leads her and Luis on a quest through Havana and San Salvador to uncover the family histories they are desperate to know, eager to learn if what might have been can fix what is.

It's 2067 at Palm Meridian Retirement Resort, Florida, and the last day of Hannah's life. Tomorrow, as the sun burns the dew off the lawns, she'll close her eyes for the very last time. But she won't be going quietly. Tonight, Hannah's throwing an end-of-life party: the drinks are on ice, and the palm trees are strung with lights beneath technicolour skies. And though Hannah has less than twenty-four hours left, she's holding out for one last, impossible thing...

They call it the King's Breakfast. One bite and you can understand the full scope of the universe; one bite and you can commune with forgotten gods beyond human comprehension. And it only grows deep in the Pamogo forest, where the trees crowd so tight that the forest floor is pitch black day and night, where rumors of strange cults and disappearing hikers abound. Sarah makes her living growing mushrooms. When a bad harvest leaves her in a desperate fix, the lure of the King's Breakfast has her journeying into those vast uncharted woods.

At the height of lockdown, a group of flailing twenty-something friends makes an illicit break for freedom. A grand country house stands empty. Once the home of Theo's great uncle, it seems like the perfect place to get high and hang out in the spring sunshine, as they eschew adult responsibilities.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

It’s the summer of ’96 and best friends (and secret girlfriends), Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.

The South unfolds during a visit by the Lim family to their rural clan estate after a long absence. Jay, in his mid-teens, and his two older sisters are less than thrilled to leave their city for the remote house in the south, but their parents, Sui Ching and Jack, are adamant.

Hugo Hunter was the most celebrated gay novelist of the 20th century. He published two masterpieces, securing his place alongside the dazzling literary greats of the 1950s, 60s and 70s, and rubbing shoulders with everyone from Truman Capote to James Baldwin. But after decades of fame and excess, just as New York City enters the 1980s and awakes to the coming horror of AIDS, Hugo finds himself running out of money. Out of nowhere, he receives an extraordinary lifeline: an offer from his longtime publisher. The money will solve all his problems – except for one thing. Hugo Hunter is an imposter.

As the healer’s daughter, Malka has seen how the wood’s curse has plagued her village, but the Ozmini Church only comes to collect its tithe, not to listen to heretics with false stories of monsters in the trees. So when a clergy girl wanders too close to the forest and Malka’s mother is accused of her murder, Malka strikes an impossible bargain with a zealot Ozmini priest: bring the monster out and spare her mother from execution.