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When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. This staggering, irreverent, gentle and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’ poetics.

They call it the King's Breakfast. One bite and you can understand the full scope of the universe; one bite and you can commune with forgotten gods beyond human comprehension. And it only grows deep in the Pamogo forest, where the trees crowd so tight that the forest floor is pitch black day and night, where rumors of strange cults and disappearing hikers abound. Sarah makes her living growing mushrooms. When a bad harvest leaves her in a desperate fix, the lure of the King's Breakfast has her journeying into those vast uncharted woods.

Set in Taiwan and the Silicon Valley, a collection of linked stories that explore the meaning of success and the purpose of existence, centered on the short life and long shadow of an engineering genius who descends deeper into despair while rising higher on the professional ladder.

Ella is a haunting. Murdered at sixteen, her ghost is furiously trapped in her father's house, invisible to everyone except her stepmother and stepsisters. Even when she discovers how to untether herself from her prison, there are limits. She cannot be seen or heard by the living people who surround her. Her family must never learn she is able to leave. And at the stroke of every midnight, she finds herself back on the staircase where she died.

Susan “Zuzu” Braeburn is almost forty. She has the life she’s always dreamed of – a beautiful house, a child, a successful partner. But something between her and her wife has been off for a long time, and she can’t help but wonder if she’s chosen wrong at every turn. Choosing to live with her white mother over her Black father in the divorce, choosing to become a lawyer rather than an artist, and most importantly, choosing to marry Agnes despite her unrequited feelings for her male best friend Cash.

At the height of lockdown, a group of flailing twenty-something friends makes an illicit break for freedom. A grand country house stands empty. Once the home of Theo's great uncle, it seems like the perfect place to get high and hang out in the spring sunshine, as they eschew adult responsibilities.

An unnamed protagonist is prompted by their grandmother's slide into dementia to investigate their family history. The more their grandmother forgets, the more the narrator tries to remember: what was it in their childhood that prompted them to feel so alienated from their body? Why is their grandmother struggling to differentiate between herself and her sister who died as a child? And what happened to their great aunt, who disappeared when she was young? But tracking down answers to these questions proves difficult in a family steeped in secrecy.

When a chance nocturnal meeting at the local coffee shop pits Lorenzo – vampire with an axe to grind – against Charlie, his (human) nemesis – he pulls him in by requesting his help with those day-to-day (ha) tasks that are hard for a vampire to do . . . while knowing he can get revenge in the process for Charlie breaking Lorenzo up with the love of his life years ago. Yet Charlie has an agenda of his own. With a failing advice column and a desire to help the budding supernatural community, he’s ready and willing to dole out help to all those who need it.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

It’s the summer of ’96 and best friends (and secret girlfriends), Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.

Der zweite Band der großen Green Creek-Saga. Nachdem der Hexer Gordo Livingstone von seinem alten Rudel verraten wurde, genießt er die Ruhe und Einsamkeit in seiner kleinen Autowerkstatt in Green Creek. Von Werwölfen hat er erst mal genug. Doch dann kommt das Bennett-Rudel in die Stadt und mit ihm der attraktive Mark. Als Green Creek von einem schrecklichen Verbrechen heimgesucht wird, bitten die Bennetts Gordo um Hilfe. Und mit dem Erwachen seiner Magie kann er auch das Seelenband zwischen sich und Mark nicht länger ignorieren.

In m. mick powell’s polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poet’s queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icon’s life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility?

Magnetic, haunting, and tender, Extinction Capital of the World is a stunning portrait of Hawai’i—and a powerful meditation on family, queer love, and community amid imperialism and environmental collapse. In ten vibrant, affecting stories, Mariah Rigg immerses listeners in contemporary Hawai’i. By turns heartbreaking and hopeful, these stories of love, longing, and grief are fierce dispatches from a state haunted by the specter of colonization, a precious biome under constant threat.

At the edge of Chicago, nestled on the shores of Lake Michigan, there is a waystation for the dead. Every night, the newly-departed travel through the city to the Station, guided by its lighthouse. There, they reckon with their lives, before stepping aboard a boat to go beyond. Nera has spent decades watching her father – the ferryman of the dead – sail across the lake, each night just like the last. But tonight, something is wrong. The Station's lighthouse has started to flicker out.

In a lighthouse on a crumbling coastline, two greying wives keep the fires lit, reading futures in fish scales and sending signals into the dark, while a monster with an almost human face circles their garden, sly and hungry. Further up the coast, a woman experiencing strange cravings after an intense heartbreak feels herself pulled to the light at the cliff's edge, where she might finally be able to satisfy her hunger.

1997. It’s Red Nose Day and Tess, Candace, Dana and Arianna rock up to school dressed as the same Spice Girl. Embarrassing. But it’s the start of a friendship that will see them through the challenges of school, family life, dreaming up their future and first relationships – good, bad and unspeakable. 2019. The girls haven’t been in touch for years – since devastating secrets and the trials of adult life tore them apart. Until, one day, Candace contacts Tess and Arianna to say Dana has gone missing.

As the healer’s daughter, Malka has seen how the wood’s curse has plagued her village, but the Ozmini Church only comes to collect its tithe, not to listen to heretics with false stories of monsters in the trees. So when a clergy girl wanders too close to the forest and Malka’s mother is accused of her murder, Malka strikes an impossible bargain with a zealot Ozmini priest: bring the monster out and spare her mother from execution.

I Think I Like Girls shares everything that Rosie wishes she had known when she started dating women, offering answers to the questions that cross everyone's mind. From the first moment of coming out to finding community and navigating relationships, Rosie will offer her own stories and bring in those of other women, with warmth, humour and a happy helping of chaotic dates.