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A major new history from the author of the Pulitzer Prize–winning Founding Brothers and the National Book Award winner American Sphinx, on how America’s founders—Washington, Jefferson, Franklin, Adams—regarded the issue of slavery as they drafted the Declaration of Independence and Constitution. In this daring and important work, our most trusted voice on the founding era reckons with the realities and regrets of our founding and the tragedy of its two great failures: the failure to end slavery and the failure to avoid Indian removal

Filled with hundreds of darkly fascinating tales of murderous mayhem, 50 States of Murder is a chilling work of storytelling and an authoritative survey of the United States’ homicidal history. Master true crime author Harold Schechter explores each state’s most grizzly, gruesome, and notorious murders that have passed into regional lore, from Iowa’s Cornfield Killer to the Texarkana Moonlight Murders to the Beauty School Barbarian of Arizona.

For almost five decades after the Second World War, the Iron Curtain divided Europe, standing as the longest and most heavily guarded border on earth. With the risk of nuclear annihilation too high for physical combat, conflict was reserved for the psychological sphere. No one understood this battle of hearts, minds, and intellects more clearly than Bucharest-born George Minden, the head of a covert intelligence operation known as the “CIA books program.” This initiative aimed to win the Cold War with literature.

Explore the remarkable life and heartfelt verse of the Rev. Dr. James A. Forbes Jr., the first Black senior minister at Riverside Church in New York City, one of the largest multicultural congregations in the US. As the first Black senior minister at Riverside Church in New York City, James A. Forbes Jr. shattered barriers of Black leadership in mainline Christian denominations. Through his powerful sermons, Forbes brought the rich preaching styles of the African American church to white pulpits, leaving an indelible mark on the landscape of progressive Christianity.

In Stomp Off, Let's Go, author and Armstrong expert Ricky Riccardi tells the enthralling story of the iconic trumpeter's meteoric rise to fame. Beginning with Armstrong's youth in New Orleans, Riccardi transports listeners through Armstrong's musical and personal development, including his initial trip to Chicago to join Joe "King" Oliver's band, his first to New York to meet Fletcher Henderson, and his eventual return to Chicago, where he changed the course of music with the Hot Five and Hot Seven recordings.

The eighteenth-century hanging of a schoolteacher for concealing the birth of a child out of wedlock has appeared in local legend over the last few centuries, but the full account of Ruth's story has never been told. Drawing on over two years of investigative research, author Carolyn Marvin brings to light the dramatic details of Ruth's life and the cruel injustice of colonial Portsmouth's moral code. As Marvin uncovers the real flesh-and-blood woman who suffered the ultimate punishment, her listeners come to understand Ruth as an individual and a woman of her time.

Born to a Secwepemc father and Jewish-Irish mother, Julian Brave Noisecat’s childhood was full of contradictions. Despite living in the urban Native community of Oakland, California, he was raised primarily by his white mother. He was a competitive powwow dancer, but asked his father to cut his hair short, fearing that his white classmates would call him a girl if he kept it long. When his father, tormented by an abusive and impoverished rez upbringing, eventually left the family, Noisecat was left to make sense of his Indigenous heritage and identity on his own.

Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, Blackness in museums, Blackness in feminist art movements, as well as Blackness in the curriculum, Alayo unveils an overlooked but integral part of our collective art history.

The spaces revealed through the practice of time manipulation in Black cultures lend themselves to storytelling, a time-hopping process that integrates memory and community. Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present.

Sifting through layers and layers of myth and legend—from nineteenth-century dime novels like Deadwood Dick to HBO prestige dramas to the casino billboards outside of present-day Deadwood trumpeting the hand of “aces and eights” that Hickok purportedly held when he was shot—Peter Cozzens unveils the true face of Deadwood, South Dakota, the storied mining town that sprang up in early 1876, just as the young United States was celebrating its hundredth birthday, and came raining down in ashes only three years later.

History Matters brings together selected essays by beloved historian David McCullough, some published here for the first time, written at different points over the course of his long career but all focused on the subject of his lifelong passion: the importance of history in understanding our present and future. Edited by McCullough’s daughter, Dorie McCullough Lawson, and his longtime researcher, Michael Hill, History Matters is a tribute to a master historian and offers fresh insights into McCullough’s enduring interests and writing life. The book also features a foreword by Jon Meacham.

From #1 New York Times bestselling author and Fox News Channel’s Chief Political Anchor, a captivating biography of Theodore Roosevelt, the stalwart naturalist, writer, ranchman, soldier, president, and avatar of our modern era.

In the nineteenth century, residents of Marblehead, Massachusetts, reported malicious pixies leading them in circles at dusk. In Aroostook County, Maine, elves called lutins exasperated farmers with their mischievous tricks and games. In Uncasville, Connecticut, beguiling creatures emerged for centuries at twilight to collect corn-filled baskets from members of the Mohegan Tribe. And in Harrisville, Rhode Island, a vision of fearful banshees augured death to an Irish seer.

In this final magisterial volume, fifteen years in the research and writing, David Levering Lewis stunningly recreates the second half of W.E.B. Du Bois’s charged and brilliant career.

In The First Fleets, Benjamin C. Schaffer reveals how, contrary to widespread beliefs, the American colonies had a long tradition of independent naval defense decades before the Revolution. He demonstrates that Anglo-American governments established and maintained significant provincial naval forces and that the history of provincial navies illuminates broader aspects of colonial history and the colonies' ultimate break with the British Crown. Based on meticulous research, Schaffer recounts the sea-borne threats that American colonies faced from the French, Spanish, pirates, and others.

In James Madison's Constitution, Eric T. Kasper and Howard Schweber have assembled a roster of ten prominent contributors to excavate Madison's thinking about key concepts and issues over questions of what the Constitution requires, permits, and prohibits. Madison's key role at the Constitution's drafting was instrumental in forging the document into what it is today.

From an early age, Sara Kehaulani Goo was enchanted by her family’s land in Hawai‘i. The vast area on the rugged shores of Maui’s east side—given by King Kamehameha III in 1848—extends from mountain to sea, encompassing ninety acres of lush, undeveloped rainforest jungle along the rocky coastline and a massive sixteenth-century temple with a mysterious past. When a property tax bill arrives with a 500 percent increase, Sara and her family members are forced to make a decision about the property: fight to keep the land or sell to the next offshore millionaire.

In 1922, Charles Garland, a young idealist, rejected a million-dollar inheritance, opting instead to invest in a future where radical ideas like economic equality and social justice could flourish. Over the next two decades, the Garland Fund, though dwarfed by the charitable foundations of industrial titans like Carnegie and Rockefeller, would become a crucible for progressive thought. The men and women of the Garland Fund cooperated and they bickered, they competed and (at least once) formed romantic connections.

The Chancellor’s Mansion was built by William Townsend McCoun, a public servant and abolitionist in New York City. The once-grand house on a hill in Oyster Bay, Long Island, had been abandoned for years. Many would have torn the property down and built something new on the land. But Jamie and Frantz Arty realized the house had more to give. The couple purchased the home, moved in, and began period-specific renovations at the height of the pandemic, along with their parents and three children—including newborn twins.

Make It Ours is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury. With access to Abloh's family, friends, collaborators, and contemporaries, and featuring a cast of fascinating characters ranging from visionary Black designers like Ozwald Boateng to Abloh's mercurial but critical employer and mentor Kanye West, Givhan weaves a spellbinding tale of a young man's rise amid a cultural moment that would upend a century's worth of ideas about luxury and taste.