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Writing can feel like an endless series of decisions. How does one face the blank page? Move a character around a room? Deal with time? Undertake revision? The good and bad news is that in fiction writing, there are no definitive answers to such questions: writers must come up with their own. Elizabeth McCracken, author of bestselling novels, National Book Award long-listed story collections, and a highly praised memoir, has been teaching for more than thirty-five years, guiding her many students through their own answers. In A Long Game, she shares insights gleaned along the way.

Infused with Orlean’s signature warmth and wit, Joyride is a must-listen for anyone who hungers to start, build, and sustain a creative life. Orlean inspires us to seek out daily inspiration and rediscover the marvels that surround us.

Published multi-genre writer Laura Goode had an epiphany after finishing her MFA and building a freelancing career: Nobody is teaching writers how to wield their persuasive storytelling abilities to make money from their writing. So she decided to write the business-of-writing handbook she needed most. Pitch Craft draws on Goode’s experience as a novelist, poet, essayist, filmmaker, and creator of a pitching and publishing course to uncover what nobody else will tell you about the business strategy that creates a writing career.

Irene Vallejo hebt in ihren leichtfüßigen, strahlend prägnanten Kolumnen den Schatz an Lebenskunst, den die Antike noch heute für uns birgt. Mit Sokrates feiert sie den Luxus, nachdenken zu dürfen, mit dem Kyniker Krates sinniert sie, wie man das Glück im Jetzt findet, und weiß von Horaz: Wer ein Problem angeht, hat es schon halb gelöst. Wie nebenbei lernt man Mythen, Personen und ihre Geschichten kennen und bekommt wunderbare Impulse für das eigene Leben.

Alia Hanna Habib remembers what it was like to be on the outside of the publishing world, looking in. Arriving in New York, a first-generation college student with a love of reading and loads of ambition, she hadn’t any idea how to break into the business of books. Now years later, in her career as an agent, she hears from prospective clients who, whether they’re experts at the top of their fields or wholly new to the writing game, consider breaking through as a success in publishing to be a mysterious and dauting task.

“Why do you write?” the organizer of a literary event in Mexico City asks Miriam Toews. Each attempted answer from Toews—all of them unsatisfactory to the organizer—surfaces new layers of grief, guilt, and futility connected to her sister’s suicide. She has been keeping up, she realizes, a decades-old internal correspondence, filling a silence she barely understands. And we, her listeners, come to see that the question is as impossible to answer as deciding whether to live life as a comedy or a tragedy.

How Media Ownership Matters provides a fresh approach to understanding news media power, moving beyond the typical emphasis on market concentration or media moguls. Through a comparative analysis of the US, Sweden, and France, as well as interviews of news executives and editors and an original collection of industry data, this book maps and analyzes four ownership models: market, private, civil society, and public.

From those who own the news to the BBC, the intricacies of political journalism to the trade's ethics, Breaking strips back the engine of information, entertainment and propaganda back to its constituent parts and lays it bare. In this informative and engaging deep-dive into the way we receive and understand the news, journalist Mic Wright shows how our news media functions and, ultimately, how it is fundamentally flawed.

Following the Front is a compilation of WWII dispatches written by Sidney A. Olson for TIME and LIFE magazines, 1944-1945. Olson, who joined Time Inc. in 1939 and served as a senior editor there, asked to be assigned overseas as a war correspondent. In mid-December, 1944, he received his accreditation from the War Department and sailed for London. Attached to the European Theater of Operations (ETO), Olson followed the Allied Forces as they pushed the Nazis back into Germany. He typed up his reports and cabled them to his editors in New York.

Obligatorischer Absatz: Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

Obligatorischer Absatz: Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts ...