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"Government, like Circe, turns men into swine," David Mamet writes in his latest political tour de force. Prepare to be challenged, enlightened, and entertained by The Disenlightenment as Mamet dissects the modern world with enthusiasm, wisdom, and lots of references to movies about the mafia. Once a stalwart of liberal thought, Mamet now turns his penetrating gaze on the cultural milieu that nurtured his artistic growth, revealing how America's elites have twisted our institutions into tools of manipulation.

A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.

Kate Bryan is a self-confessed art addict who has worked with art for over twenty years. But before she studied art history at university, she’d been into a gallery just twice in her life and had no idea she was entering an elitist world. Now, she’s on a mission to help everybody come to art. Like playing or listening to music, or cooking and eating great food, reading or watching films, making art or looking at other people’s deserves to be an enriching part of all our lives. So here, in HOW TO ART, is a nifty way to take art on your own terms.

With characteristic wit, eloquence, and unflinching honesty, Churchill shares the pivotal events and relationships that shaped his worldview — from his military service to his years as Prime Minister. My Life is not only a window into the personal and political history of a giant of the 20th century, but also a testament to his unyielding determination, resilience, and vision during some of the most tumultuous periods in modern history.

Britain has always been a craft land. For generations what we made with our hands defined our families, communities and regions. Craftland brings to life the vanishing skills, traditions and trades that shaped the fabric and governed the rhythms of everyday life in Britain for hundreds of years. For as long as there are humans, there will be craft, ever evolving in response to changing technologies, environments and communities. Craftland is a celebration of that deeply necessary connection between our creative instincts and the material world we inhabit.

Do you feel like you live life looking in from the outside? From the way you speak, to the color of your skin, to the way you vote, or the way you pray, you don't fit the mold. And yet you find yourself still trying to prove yourself to others. In Set Me Free, New York Times bestselling author Lecrae invites you on a poetic and artistic exploration of how you can persevere against the lies of unworthiness to experience the freedom given to you in Jesus.

In 2008, academic and scholar Susan Gubar was told by a trusted oncologist that she had only a few years left to live. Though she outlived that dire prognosis, this brush with mortality refocused her attention on the boons of a longevity she did not expect to experience. She began to think: In the last years of our lives, can we shape and change our creative capabilities? The resulting volume, Grand Finales, answers this question with a resounding yes.

This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century. These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art—works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration.

Join renowned artist Scott Christian Sava in a humorous, inspiring journey that guides artists of all levels to embrace failure, overcome self-doubt, and rediscover the joy of creating art.

Art students Gina Birch and Ana da Silva formed The Raincoats in 1977. Since the release of their seminal early records, the 'godmothers of grunge' have been revered by punk, queer, feminist and indie pop artists alike. The Raincoats reimagined the nature of experimental music and DIY design and went on to inspire Sonic Youth, Nirvana, and an entire generation of Riot Grrrl and queercore musicians.

In a world dominated by men, Marian McPartland distinguished herself as one of the greatest jazz pianists of her age. Born in the UK as Margaret Marian Turner, Marian McPartland learned to play classical piano, but was passionately attracted to the rhythms of American jazz. Entertaining troops in WWII Europe, she met her future husband, Jimmy McPartland, a cocky young trumpet player who was the protege of the great Bix Beiderbecke. They were married and, together, they made jazz history.

From the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, to Gullah Geechee sweetgrass basket makers, to the celebrated quilters of Gee's Bend, A Short History of Black Craft in Ten Objects illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.

Steven Underwood digs into the current Black digital arts movement that has shaped popular culture for the last decade. He connects this current space to historical influences, speaking to a “legacy of audacity and daring that presented us with the opportunity to redirect the conversations on Blackness back on its center. Back to Black people.” Written as a collection of thought-provoking essays pulling in social commentary, interviews, popular culture, and deep research, Underwood taps into a topic that is incredibly relevant but often unknown.

When Fun Lovin' Criminals released their debut album Come Find Yourself in 1996, its fusion of hip-hop, funk, blues and rock quickly became one of the most iconic and influential records of the decade. Now, in this fascinating memoir, frontman Huey Morgan describes his remarkable journey from journeyman to rock star.

Everything about Picasso, except his physical stature, was on an enormous scale. His appetite for sex and money, eating and drinking, friends and quarrels, comedy and tragedy, are legendary. No artist of the first rank has been so aw-inspiringly productive. No artist of any rank has made so much money. A few artists have rivalled his life-span of ninety years, but none has attracted so insatiable a public interest. Patrick O’Brian, author of the famous Aubrey-Maturin novels, was a near neighbour of Picasso’s in the south of France for many years and knew him well.

In the spring of 1790 two of the most gifted artists in Europe met in Rome and became fast friends, sharing their views on art, visiting the city’s ancient sites and making trips to the opera together. The Swiss history painter Angelica Kauffman and the French portraitist Elisabeth Vigée Le Brun are no longer household names in the early twenty-first century but were much-fêted celebrities in the late eighteenth. Franny Moyle uses their meeting in the eternal city as the point of departure for a lavishly illustrated 'life and times’ biography of two brilliant but neglected women artists.

Women artists face particular pressure to give up their artistic goals in favor of motherhood, supporting a partner, or finding economic stability. Throughout her 20s and 30s, Stephanie Elizondo Griest could not help worrying if constantly prioritizing her writing over everything else—from postponing children to living nomadically to save on rent—was leading her to fulfillment or regret. The year she turned 40, she turned to other women artists around the globe for answers.

Virginia Hamilton (1936-2002) was not only one of the most magnificent writers who ever lived — winning honors such as the Newbery Medal, Newbery Honor, National Book Award, and the Coretta Scott King Award for classics like The House of Dies Drear, The People Could Fly, M. C. Higgins the Great, and Her Stories — she was one of the greatest thinkers we ever had on children's literature.

In Up the Youth Club, Emma Warren maps the shifting story of youth clubs in the UK and Northern Ireland, from factory workers in Victorian Boys' and Girls' clubs to renegade self-emancipatory spaces in the 1970s and the music-generating youth clubs of more recent decades. With a mixed lineage in church evangelism, the patronage of the upper classes, grassroots' DIY, and erratic state funding, the youth club has had a huge, yet almost invisible, effect on music, sport, culture and society.

Each chapter unpacks a particular name for the Holy Spirit and examines its significance, using examples from a variety of artistic mediums—music, poetry, visual art, film, and even landscape architecture. Far from being just a theoretical exploration, the book seeks to be a catalyst for renewal in theology and the arts, aiming to inspire new avenues of thought and engagement within classrooms, churches, and beyond.