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Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, “The Two-Headed Nightngale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into slavery and ill treatment as a “freak” sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”

Thirty-something Layla Smart was raised by her single mother to dream medium. But all Layla’s ever wanted was a career in dance, which requires dreaming big. So when she receives an offer to be the choreographer-in-residence at Briar House in rural Vermont, she temporarily leaves behind Brooklyn, her job, her friends, and her husband to pursue it. Layla has nine months to navigate a complex institution and teach a career-defining dance to a group of Black dancers in a very small, very white town.

Susan “Zuzu” Braeburn is almost forty. She has the life she’s always dreamed of – a beautiful house, a child, a successful partner. But something between her and her wife has been off for a long time, and she can’t help but wonder if she’s chosen wrong at every turn. Choosing to live with her white mother over her Black father in the divorce, choosing to become a lawyer rather than an artist, and most importantly, choosing to marry Agnes despite her unrequited feelings for her male best friend Cash.

It's Me They Follow has descriptive copy which is not yet available from the Publisher.

A new book from Naima Simone

Freedom reverberates in Skye Jackson’s breathtaking debut, Libre, with evocative poems that are heart-wrenching, haunting, sensual, and tender. This collection explores the experiences of a young Black woman in New Orleans as she navigates the pull of familial and romantic relationships, celebrating the joys of Blackness, art, and friendship. Libre also includes Jackson’s award-winning poem “can we touch your hair?” which was hand selected by former US Poet Laureate Billy Collins for inclusion in the Library of Congress Poetry 180 Project.

In m. mick powell’s polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poet’s queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icon’s life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility?

Fraternal twins Khalid and Khalia are opposite as night and day. Khalia is the main enforcer for the family, a true gangstress, while Khalid has political aspirations to run for Senator and continue to push the family’s drugs to all the high ranking members of the Senate. All that changes when a deadly incident occurs at one of his campaign events. Meanwhile Khalia is content with dropping bodies first and asking questions later, until she crosses paths with someone who makes her second guess everything.

Love is an Open Book has descriptive copy which is not yet available from the Publisher.

Like a Summer Love Song has descriptive copy which is not yet available from the Publisher.

A collection as remarkable for the force of its feeling as for the range of its vision, End of Empire explores the tensions of Black and American identity within an ecological framework. Inspired by the language and landscape of the poet’s rural Kentucky hometown and the ways that inherited religious and political narratives shape our relationships with our surroundings and ourselves, these poems reckon with the ways the speaker, their body, and their natural and ideological surroundings continuously remake each other.

An arrest for cocaine possession in the Hamptons on the last day of a sweltering summer leaves Smith, a young Black Queer graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him but his race does not. It is just weeks after the death of his beloved roommate Elle, a glamorous member of the Black elite, and he is still reeling from the tabloid spectacle - as well as the lingering question of how well he really knew his closest friend and what happened to her the night she died.