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Helena Scheuberin should be doing what every other young wife is doing: keeping house, supporting her husband, bearing his children. But when her husband's footman, Leopold, with whom she was having an affair, is found dead, Helena is accused of killing him. Worse, she is accused of being a witch. Imprisoned with six other women, Helena is plunged from her bejewelled life of comfort into a world of terror. When a cursed witch totem is smuggled into the prison, the prisoners attempt to use it to conjure escape. But the totem is the severed hand of a murdered woman.

Carwyn and Rhian – the last in a long family line of sheep farmers – are living out a brutal year in their hillside farm, deep in the mountains of Eryri, North Wales. When Carwyn stumbles across a stone circle and some sort of burial mound in one of the fields on their land, he quickly develops an obsession. His wife, Rhian, meanwhile, is confronted with the growing realization that the man with whom she shares her life and home is slowly becoming a frightening stranger.

When New York architect Tate Donovan arrives in Cape Cod to design his best friend's summer home, he is hoping to make a fresh start. Recently discharged from an upscale psychiatric facility where he was treated for acute depression, he is still wrestling with the pain of losing his beloved sister.Sylvia's deathbed revelation - that she can see spirits who are still tethered to the living world, a gift that runs in their family - sits uneasily with Tate, who struggles to believe in more than what logic can explain.

Folklore 517: Local Legends and Urban Myths, taught by a woman called the Professor. Most students believe the Professor's stories are just fiction. There isn't a man in Hollywood who you can call to find out the time you'll die. There's not a haunted hotel bar in Los Angeles that the devil likes to frequent. There's no such thing as magic. But, most students don't have the same tragic past as Holland St. James.

Herculine’s narrator has demons. Sure, her life includes several hallmarks of the typical trans girl sob story—conversion therapy, a string of shitty low-paying jobs, and even shittier exes—but she also regularly debates sleep paralysis demons that turn to mist soon after she wakes and carries vials of holy oil in her purse. Nothing, though, prepares her for the new malevolent force stalking her through the streets of New York City, more powerful than any she’s ever encountered.

'Back then, when I was a young woman, there were still witches': That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that's why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.

Trapped. He fell through the gate to Hell to save my life. Beelzebub, the Lord of Gluttony, is no longer his own. He’s been mine ever since he caught me singing to myself, falling prey to the magic of my song. If I can keep my distance, we can both move on. But now, he is caught under my spell, which makes him forbidden to touch. And yet, he is the only one I can trust to get me back to Crystal Hollow. We’ll have to make it through the Nine Circles of Hell first. No matter what we lose along the way.

We make monsters in order to destroy them. For thousands of years, we’ve named witches and burned them, suspected demons and exorcised them. When crops die and children fall ill, who better to blame than a monster? In nineteenth-century Bulgaria, Yana rides from one desolate town to the next, staging grisly displays while the villagers sleep: animal corpses in the public square, eggs filled with blood in the chicken coop. She tells the stricken villagers stories of vampires that stalk the night. Then Yana eliminates the threat, and leaves seeds of hope in her wake.

Nestled in the shadowy embrace of ancient oaks, the Idlewood Plantation whispers with secrets of the past. Carrie Jo and Ashland, bound by fate and mysteries untold, find themselves once again at Idlewood's enigmatic threshold. A fortuitous stroke of luck grants them a chance to complete their unfinished work, but the plantation's eerie corridors are not done with them yet.

In the present day, following the break-up of a controlling marriage, single mother Nell moves into the crumbling Victorian Merry Hall with her teenage daughter, Fern. She’s determined to make a new life but the noises, moving objects, and strange smells in her new home make her increasingly unsettled.

Thief by night and witch by birthright, candle maker Alaska McCullough has perfected the art of stealing by using magic. Until she takes something she never should've touched. The object should not have existed, yet it's putting her life and reputation on the line. Now she lives on borrowed time . . . unless she can find a way to give it back before it's too late.

Nestled among rugged mountains, in a remote part of Catalonia frequented by wolf hunters, bandits, deserters, ghosts, beasts and demons, sits the old farmhouse called Mas Clavell. Inside, an impossibly old woman lies on her deathbed while family and caretakers drift in and out. All the women who have ever lived and died in that house are waiting for her to join them. They are preparing to throw her a party.

For Henri and Detra Ann, the dream of running an antique shop has become a vivid reality. But Devecheaux Antiques is no ordinary store. It's a magnet for objects with a supernatural twist and tales yet to be told. The couple, seasoned in skirting ghostly encounters, find themselves unable to escape the spirits within their own shop. It's time to listen to the whispers of the past. Enter Aggie (Mary Agnes Kelly), their new assistant, whose secretive past is as intriguing as her unusual talents.

The day Oona was kicked out of her mother’s coven, she gave up on her dreams of harnessing the witchcraft that was her birthright. Years later, she's carved out an ordinary life with her husband, though she is filled with a longing she can barely name. If she could only become a mother, then—according to island lore—she will come into her magic.

One fine spring day in Friesland, twenty-year-old Clara van Weiren is faced with an ill omen: a whale, beached and rotting in the noonday sun. But Clara doesn't believe in magic and superstition, and this portent is quickly dismissed when a proposal from a wealthy merchant arrives, promising Clara the freedom she seeks from her mother's overbearing rule. When her attempts at overseeing the household at the family's estate lead to her chance encounter with a young man with russet hair and sparkling eyes the color of the sea, she finds herself strangely drawn to him.

A year after the events at Ravenswood Academy, Andy Emmerson’s life is in turmoil. Demons, the underworld, and secret societies all exist, and they still haunt her days and nights. Eager to find the answers she can’t locate in the shelves of the library, Andy visits Jae in the underworld. Only, it is empty of the Gods that once ruled it and inexplicable clues – sent by the mysterious Order – start to appear warning them of dark days ahead. Together they must travel to the eery streets of Edinburgh and enrol in Eidolon University where they will investigate The Order and unlock its secrets.

At the edge of Chicago, nestled on the shores of Lake Michigan, there is a waystation for the dead. Every night, the newly-departed travel through the city to the Station, guided by its lighthouse. There, they reckon with their lives, before stepping aboard a boat to go beyond. Nera has spent decades watching her father – the ferryman of the dead – sail across the lake, each night just like the last. But tonight, something is wrong. The Station's lighthouse has started to flicker out.

In a lighthouse on a crumbling coastline, two greying wives keep the fires lit, reading futures in fish scales and sending signals into the dark, while a monster with an almost human face circles their garden, sly and hungry. Further up the coast, a woman experiencing strange cravings after an intense heartbreak feels herself pulled to the light at the cliff's edge, where she might finally be able to satisfy her hunger.

Niamh is back from the dead … but she hasn’t come back alone. Elle mourns a son she never had. Ciara languishes in a prison for witches. And Leonie reels from a very unexpected surprise. Five very different witches with one thing in common: they were unwittingly chosen by the dangerously charming Lucifer, the demon king of desire, to fulfil a dark prophecy. But Lucifer has deadly offer for fledgling witch Theo: help him and her coven – her family – will be spared as the rest of humanity perishes in a hellish new reality. Save the ones she loves? Or save the world?