Próximamente

It's the ultimate haunted house challenge. A crumbling stone mansion nestled in the Gothic Quarter of Barcelona, it may be the best-kept secret in Europe—a little-known attraction featuring nine escape rooms to explore, nine puzzles to solve, and a large cash prize for anyone who makes it to the end. There's just one catch: no one makes it to the end of The No-End House . . . When Joe Hadfield hears about the house from a pair of backpackers, he's intrigued but not interested. He's trying to escape a nightmare of his own.

The Berisha family runs one of the largest import-export companies in the world, and they’ve always been lucky. Their rivals suffer strokes. Inconvenient buildings catch on fire. Earthquakes swallow up manufacturing plants, destroying harmful evidence. Things always seem to work out for the Berishas. They’re blessed. At least that is what Zef, the patriarch, has always told his three children.

Alice Haserot thought she’d escaped the curse. For sixteen years, she’s lived far from her family and the ghosts she used to conjure. But her past isn’t so easily left behind. When Alice discovers she’s pregnant and her estranged sister, Bronwyn, turns up on her doorstep, her carefully built new life begins to unravel. Bronwyn offers an ultimatum: one of her daughters is trying to possess the other, and only Alice has the power to save them. If Alice refuses, Bronwyn will go to their abusive mother and expose her location.

For as long as Adam can remember, the legends passed down from his world-traveling grandfather have called him to a crumbling manor in the Highlands. His closest friend Nicola longs for the same adventure, as well as for Adam himself. She'll follow him just about anywhere—even to the remote wilds of Scotland—if it pushes the pair to surrender to their shared attraction.

Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

Holland, 1650. One fine spring day in Friesland, twenty-year-old Clara van Weiren is faced with an ill omen: a whale, beached and rotting in the noonday sun. But Clara doesn’t believe in magic and superstition, and this portent is quickly dismissed when a proposal from a wealthy merchant arrives, promising Clara the freedom she seeks from her mother’s overbearing rule. When her attempts at overseeing the household at the family’s estate lead to her chance encounter with a young man with russet hair and sparkling eyes the color of the sea, she finds herself strangely drawn to him.

There are places on earth where nature’s powers gather. Girls raised there are bequeathed strange gifts. A few have powers so dark that they fear to use them. Such a place is Wild Hill, on the tip of Long Island. For centuries, the ghost of a witch murdered by colonists claimed the beautiful and fertile Wild Hill…until a young Scottish woman with strange gifts arrived. Sadie Duncan was allowed to stay.

Hannah has been running from her demons ever since she emerged from a harrowing wilderness trip without her fiancé. No one knows exactly what happened the day Ben died, and Hannah would like to keep it that way... even if his ghost still haunts her with vivid waking nightmares that are ruining her life. So when her friend group gets an exclusive invitation to a restorative spiritual retreat in Joshua Tree, Hannah reluctantly agrees in search of a fresh start.

Mavis broke from her parents’ congregation years ago, but she still hasn’t recovered. Their impossible expectations and soul-shredding critiques have dug deep into her mind, and she’s taunted by the knowledge that even when she’s done nothing wrong, she’ll never be right. Now Mavis is afraid she’s about to lose the only thing she has: her husband, Jerrod. The man she’s always known was too good to be true. No one thinks she deserves him—not even after surviving the serial cheater they wanted her to stick by—and soon they’ll all find out they were right.

Darker Days has descriptive copy which is not yet available from the Publisher.

Buried secrets only spread. Erin's brother Bryan has been missing for five years. It was as if he simply walked into the forests of the Pacific Northwest and vanished. Determined to uncover the truth, Erin heads to the foothills of Mt. Hood where Bryan was last seen alive. He isn’t the first hiker to go missing in this area, and their cases go unsolved. When she discovers the corpse of a local woman in a creek, Erin unknowingly puts herself in the crosshairs of very powerful forces—from this world and beyond—hell-bent on keeping their secrets buried.

Cutthroat NYC lawyer Mary Whelton just buried her problematic old mentor. But as she leaves the mourners and protesters behind, the press stays hot on her heels. Desperate to escape, she unwittingly barrels deep into a remote forest in upstate New York. Until a collision—with a buzzing, oozing throng of cicadas—stops her dead in her tracks. She awakens in a crude cabin, held captive by Girl, a simple, hulking woman who mistakes Mary for her derelict mother and obsesses over a mysterious Brood.

Annie Ashworth is on maternity leave from her police job, enjoying spending time with baby Alfie. Perhaps her days at home are a little boring, but after all of the horrific crimes she’s witnessed, that’s fine with her. But when she starts having strange dreams – dreams that turn out to be linked to a local murder – she can’t stop herself from digging. There’s an eerie connection to a serial killer from the 1950s, and Annie fears that the same dark forces are back.

Single gay mom Brigid always thought that cutting ties with her extremist Catholic family was the best thing she could have done for her daughter, Dylan—and for herself. But when Dylan starts having terrifying fits of unnatural violence, Brigid can’t shake her memories of a girl from her childhood who behaved the same way … until Brigid’s uncle, Father Angus, performed an exorcism. Convinced that her daughter is suffering from demonic possession, Brigid does the thing she told herself she’d never do: she goes home.

It’s 1985, and the young and ambitious Kristian Hadeland is moving from Norway to London to study photography. He throws himself headfirst into the bustling art scene and finds himself at a crossroads—ultimately deciding to pay any price for success in his early career, willing to sacrifice everything and to stop at nothing. Twenty-four years later, Kristian has achieved everything he’s ever desired. Now an art photographer with a major retrospective in New York City, he sees his world around him begin to crumble as his past catches up to him and he faces his evil fate.

Lord Elgin's Greek marbles are the talk of London society, so when a death threat arrives, the earl hires actress Dora Fitz-Pennington and the honourable Dr Jacob Sandys to investigate. They plunge into the scandals of society's most eminent members, from the Byron circle to the secret world of collectors. As danger lurks around London's every corner, in the most exclusive ballrooms and the roughest taverns, Dora and Jacob will face not only what has been left unsaid simmering between them but the threat of silent assassins, traitorous acquaintances and the darkest of secrets...

Santo Domingo de la Calzada, 1532. London, 1837. Boston, 2019. Three young women, their bodies planted in the same soil, their stories tangling like roots. One grows high, and one grows deep, and one grows wild. And all of them grow teeth.

Family Threads has descriptive copy which is not yet available from the Publisher.

Massachusetts Bay Colony, 1646. Thomas and Margaret Jones arrive from England to build a life in the New World. Though of differing temperaments, cautious Thomas and fiery Margaret, a healer, are bound by a love that has lasted decades. With a child on the way, their new beginning promises only blessings. But in this austere Puritan community, comely faces hide malicious intent. Wrong moves or words are met with suspicion, and Margaret’s bold and unguarded nature draws scorn. Soon, Margaret is mistrusted as more cunning woman than kind caregiver.

Huysmans est passionné par la démonologie et le surnaturel. Son héros, Durtal, est un historien amené à s'interroger sur la doctrine chrétienne et le satanisme. Il abandonne " l'adultère, l'amour, l'ambition, tous les sujets apprivoisés du roman moderne, pour écrire l'histoire de Gilles de Rais."