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From birth, twins Cath and Rob are inseparable. When their mother dies, their bond deepens as their father hastily remarries a woman with a volatile temper whose sole focus is her own baby – Oliver – who arrives nine months later. When, aged 48, Rob tragically dies, Cath’s world begins to crumble. Her grief compounded further by Oliver’s out-of-the-blue decision to attend Rob’s funeral, opening old wounds after three decades of estrangement.

Marlene calls herself a psychic wound healer, but really, her paranormal abilities are restricted to visions. In fact, they’re restricted to visions of just one person. Her mother, Darlene. The visions started when Marlene was nine: a symbol and a symptom of an unfathomably deep maternal connection; a mental and emotional escape hatch; evidence of a bond so intense that a rupture was perhaps inevitable. And yet, years of estrangement later, when Marlene receives a message from Darlene asking her to come home, she packs up her life in Vancouver and drives across the country to Nova Scotia.

Striker isn’t entirely sure she should be on this luxury Antarctic cruise. A Black film scout, her mission is to photograph potential locations for a big-budget movie about Ernest Shackleton’s doomed expedition. Along the way, she finds private if cautious amusement in the behavior of both the native wildlife and the group of wealthy, mostly white tourists who have chosen to spend Christmas on the Weddell Sea. But when a kayaking excursion goes horribly wrong, Striker and a group of survivors become stranded on a remote island along the Antarctic Peninsula.

Landing a job caring for the unresponsive wife of celebrity podcaster Colin Harrington could be the best thing that's happened to me in a long time. I get a place to live, a paycheck, and a way to salvage my comatose career. It's my last chance to finally prove the doubters wrong. I have to make it work. All I need to do is survive a few months in the eerie, high-tech halls of the Harrington's mansion. But caring for Colin's wife Kara is testing the limits of my sanity.

Alle reden über Teddy. Es ist der Sommer 1969, Rom ist heiß und aufregend, voller Glamour und Intrigen. Teddy Carlyle ist mit ihrem neuen Ehemann, der in der amerikanischen Botschaft arbeitet, nach Italien gekommen. Nach einigen Jahren mit schlechten Männern und schlechten Entscheidungen will sie nun ein neues Leben beginnen. Sie schwört sich, eine gute Diplomatengattin zu sein: glamourös, diskret, perfekt gekleidet und unerbittlich höflich.

Lucy and her three best friends share a glamorous but decaying house in the heart of Georgetown. They call themselves “the Sweeties” and live an idyllic post-grad lifestyle complete with exciting jobs, dramatic love lives, and, most importantly, each other. But when Addie, the group’s queen bee, discovers that her ex-boyfriend Josh has gone missing, the Sweeties’ worlds are turned upside down. In the days leading up to his disappearance, Josh, a star investigative journalist from a prominent political family, was behaving erratically—and Lucy is determined to find out why.

" Vous vivez actuellement dans un pays dont vous ignorez à la fois le nom et la beauté. Ce pays, c’est vous. Durant ce voyage, vous allez activer des ressources, élucider des énigmes, dissoudre des peurs et développer vos super-pouvoirs. ". Chaque dispute avec son compagnon Antoine est une blessure supplémentaire pour Elena, une jeune femme à la vie morose ignorant tout de sa véritable puissance. Elle rêve secrètement de voyage, d’ailleurs, d’une échappatoire à cette existence monotone qu’elle mène jusqu’alors.

Ein ergreifender Roman über drei junge Schauspieler im Warschauer Ghetto von Bestsellerautor David Safier. Im Warschauer Ghetto 1942 erklingt aus einer kleinen Seitenstraße Musik, Gelächter und Applaus. Ein Theaterstück feiert Premiere, eine heitere Musikkomödie namens Die Liebe sucht ein Zimmer. Die junge Schauspielerin Sara wartet nervös auf ihren Auftritt. Mit leuchtenden Augen schaut sie vom Bühnenrand ihrer großen Liebe Edmund zu, wie er die Zuschauer in den Bann schlägt und sie ihr Elend vergessen lässt.

In taut and stylish prose, The Passenger Seat examines how men learn and perform masculinity. Rejecting easy answers, it keeps our eyes trained on the vanishing point where vulnerability edges into violence, alienation into aggression.

When they were kids, Gillian and John used to visit the local cemetery every Sunday after church. The main attraction was the lofty hill that separated the cemetery from the elementary school, and the act of tumbling down it like Jack and Jill was a ritualistic escape from the abuse they were suffering at their father's hands. It was an escape that lasted only until John's tragic death.

Oghi wakes in a hospital bed unable to speak or move. The car accident that killed his wife has left him trapped in his own body and under the control of his mother-in-law, as she grieves the loss of her only child. Isolated from his friends and neglected by his nurse, Oghi’s world shrinks to the room he lies in and his memories of his wife, a sensitive woman who found solace in cultivating her garden. But as Oghi remains alone and paralysed, his mother-in-law is hard at work in the garden, uprooting what her daughter had worked so hard to plant and obsessively digging larger and larger holes.

Maya and Daughter live in complete isolation in a secluded woodland, their days aligned with the light and changing seasons, a complex pattern of routine and ritual. Daughter has never questioned the life her mother has chosen for them; the life that has meant she's never met another soul, or known anywhere except their forest home. But one day, when Daughter is almost sixteen, a red-haired stranger steps into the confines of their territory.

Blowfish is a postmodern novel in four parts, alternating between the respective stories of a female sculptor and a male architect. Death is the motif connecting these parallel lives. The sculptor’s grandmother killed herself by eating poisonous blowfish in front of her husband and child, while the architect’s elder brother leapt to his death from the fifth floor of an apartment building. Now, both protagonists are contemplating their own suicides.

Olive just wants people to open up. As a radio host, she interviews writers about their works-in-progress, probing for insight; as a friend and a sister, she’s hungry for closeness. She has a habit of recording people without their knowledge, just to hear the world reflected back at her. Olive is approaching her mid-thirties, coddled by her mother and perpetually single, when she meets Theo. He’s a surgeon – he literally cuts people open, which fascinates her – and, with a quick wit and a charming gap between his two front teeth, he seems to adore her.

When you look down at your newborn baby, you realise they were right, those smug parents you’ve always rolled your eyes at: you’d do literally anything for your child. To make them happy, keep them safe. So when Joseph Carver wakes one night to find his teenage son Max scrubbing the kitchen, hands wet with blood and panic flooding his voice as he promises it was an accident, he didn’t mean to do it, Joseph does the only thing he can. He helps Max bury the body.

Beth is a new mother struggling to find her place in the world. She is exhausted, mentally and physically, but her anxieties are not simply the fears of a first-time mum. A terror burns in her, fuelled by a secret past she is lucky to have escaped. When a letter arrives, bearing only the infinity symbol, Beth knows immediately it is from them. And that her past is finally catching up with her…

Set in the Eisenhower era, Lynda Lee Rogers, a former beauty pageant queen, seems to have an idyllic life, but in reality she struggles with debilitating headaches and depression, only finding solace in pain pills which evoke vivid dreams of enchanted lands where an ancient Irish weaver provides the wisdom and relief her real life can not; offering an exploration into women's eternal quest for inner peace and happiness while caring for their families, delving into themes of mental health, empathy, authenticity, and the search for identity.

The Library of Fates was designed to show you who you are—and who you could become. Its rarest book, The Book of Dark Nights, holds a secret: when you write an intimate confession on its pages, you'll receive a prediction for your future, penned in your own handwriting. For Eleanor, whose childhood was defined by a senseless tragedy, the library offers a world where everything makes sense. She’s spent most of her life there as an apprentice to the brilliant librarian, showing other people how to find the meaning of their lives in stories.

Carrie is a young mother desperate to reunite with her daughter. Frankie, newly pregnant, faces a romantic vacation that takes a terrifying turn. Then there’s the enigmatic older woman determined to protect her teenage daughter, Bunny, no matter what. Across South England, these three women must navigate survival amidst chaos when the country receives a nuclear bomb alert. With only 59 minutes before mass destruction, will they make it to their loved ones in time?

Our narrator’s name and origins are unknown. Oliver, who has served as both her caregiver and her captor, told her she came to him from another star. Though she arrived a grown woman, she did not yet have the ability to speak or count. Oliver had to teach her how to properly chew her food and clean herself. Though isolated from our world, he did his best to care for his charge and, she insists, always felt the need to develop her into more than she was.