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There is a heatwave across Europe, and four siblings have gathered at their family’s lake house to seek answers about their father, a famous artist, who recently remarried a much younger woman and decamped to Italy to finish his long-awaited masterpiece. Now he is dead. And there is no sign of his final painting. As the siblings try to piece together what happened, they spend the summer in a state of lawlessness: living under the same roof for the first time in decades, forced to confront the buried wounds they incurred as his children, and waiting for answers.

Ronda McCann lives a quiet, careful life. She cycles to her job as a care assistant in a nursing home from her childhood home, where she lives with her widowed mother, Annie, after a failed relationship. But Ronda has a rich fantasy life. In her imagination she is brave, assertive, respected and admired … much like her sister Margo, a successful working mother and wife. However, there’s no place for a chronic day-dreamer in Margo’s world. Ronda is flung out of her dream world when her sister insists that she learn to drive.

Ten-year-old Margaret hides beneath a blackberry bush in her family’s lush backyard while her brother hunts for her in a game of flashlight tag. Hers is a childhood of sunlit swimming pools, Saturday morning pancakes and a devoted best friend, but her family life requires careful prudence. Her mother can be as brittle as she can be loving, and her father and brother assume familiar, if uncomfortable, models of masculinity. Then late one fateful summer, everything changes. A line is crossed and in the wake of that betrayal the simple pleasures of girlhood slip away.

Cordelia would be happy to never set foot in Wilder Hoo House again. When Cordelia’s late ex-husband unexpectedly leaves the cottage in her name, she wonders if it is one last cruel joke from beyond the grave. Determined to quickly sell-up and burry the memories of her past forever, she begins to restore the crumbling beach house brick by brick. With the help of the locals Cordelia breathes new life into the home, but will she find a way to heal her heart too?

When news reaches Kansas that her beloved sister has tragically died, Emily Gale must become a mother overnight. Her sister’s orphaned child, Dorothy, desperately needs a home. But Emily doubts her ability to fill her sister’s shoes; her life on the barren Kansas prairies is no place for a child. On the unforgiving plains, Emily's courage is endlessly tested. The prolonged drought and relentless dust storms threaten to destroy everything – including her home and her marriage.

The South unfolds during a visit by the Lim family to their rural clan estate after a long absence. Jay, in his mid-teens, and his two older sisters are less than thrilled to leave their city for the remote house in the south, but their parents, Sui Ching and Jack, are adamant.

The Brooke family are gathering in their eighteenth-century ancestral home—twenty bedrooms of carved Sussex sandstone—to bury Philip: husband, father, and the blinding sun around which they have orbited their entire lives.

In the summer of 1938, Sonja is lifted onto a Kindertransport train that will take her from Nazi-occupied Austria to London. She leaves behind her parents, Fania and Arnold, and her baby brother Moses. She is the only member of her family to survive. In 1966 Fania is working as a massage therapist in Montreal, a place that provided her safe haven after she lost her entire family in the Second World War. And yet there are strange echoes, impressions, of those she loves everywhere she turns. Has she lost her mind or is her family still alive?

A beautiful and heartwarming portrait of a young woman who looks at the world differently, June in the Garden encourages others to do the same. Because thinking unconventionally is not a flaw, it’s often the key to appreciating the wonder and bloom that surrounds us.

Ukraine, 2022. Yeva is a loner and a maverick scientist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails while her relatives urge her to give up, settle down and finally start a family of her own. What they don’t know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity.

In a future San Francisco transformed by years of rain, Bo, a 40-year-old lapsed artist, is grieving the community she’s lost to catastrophic flooding. Her friends and family have disappeared or fled, the streets are rivers, and the buildings are falling apart. Yet on the day of her planned departure, Bo finds a note slipped under her door: I need help, it reads. Three days a week, afternoons. Can pay in cash.

Konkurrentin und Vorbild – der Roman eines lebenslangen Konflikts. Seit Jahren lebt Emilie im Altersheim. Längst hat sie zu sprechen aufgehört – und kommuniziert nur noch mit ihrer Freundin Marianne, ebenfalls Bewohnerin des Heims. Ihre Tochter Hanna scheint Emilie kaum wahrzunehmen, vielleicht lehnt sie sie sogar ab, das ist nicht so genau zu sagen. Liegt es an mangelnder Zuwendung der Tochter, sind es die Verletzungen, die sie über die Jahrzehnte einander zugefügt haben? In einem Akt der Erlösung entführt die Tochter ihre Mutter und deren Freundin, um mit ihnen einen Ausflug zu machen.

Es ist das Jahr 1983. Daniel steht kurz vor seiner Konfirmation und träumt von blauem Samtsakko und grauer Flanellhose. Doch seit er die Eltern belauscht hat, schwant ihm, dass daraus nichts wird. Hormanns sind pleite und wissen nicht mehr, wie sie die sechsköpfige Familie über die Runden bringen sollen. So erfinderisch die Eltern auch sind, eines können sie nicht: mit Geld umgehen. Was sie dagegen beherrschen: den Schein wahren, selbst als der Gerichtsvollzieher vor der Tür steht.

Oscar, Filmemacher und Vater von drei erwachsenen Kindern, stirbt kurz vor Abflug unerwartet am Flughafen Schiphol. Obwohl er schon länger nicht mehr präsent war im Leben von Cat, Moor und Tessel, wirft sein Tod jeden von ihnen nachhaltig aus der Bahn. Wie verabschiedet man sich von einem Vater, den man kaum kannte? Während die Geschwister und Oscars Ex-Frau die Beerdigung organisieren, bringen die Dinge, die Oscar zurückgelassen hat, neue Erinnerungen und Geheimnisse ans Licht und konfrontieren die Hinterbliebenen mit sich selbst, miteinander und mit wichtigen Lebensfragen.

In the sleepy seaside sleepy town of Waverly, Rosie and Seb Kent are happily married. Now that Seb has achieved his dream of becoming Headmaster of the local school, their lives couldn't be any better. Abi, a young, single mother, has come to Waverly for a fresh start. She plans to reinvent herself and give her children a new life. Then she sees Seb. As their complicated hidden past threatens to destroy them both, they try their hardest to keep it contained.

Zoe, Al, Rachel, Rob, Yas and Indie. Six friends who were inseparable at university, who have all had their secret or not so secret passions for each other, their own hopes and fears. Set over one year and told from multiple perspectives, BIRTHS, DEATHS AND MARRIAGES is an era-spanning, globe-trotting novel about love, friendship, and how to stay at least relatively sane in an ever crazier world. It’s about a group of friends growing older, a pair of sometime lovers finding their way back to each other, about kindness and joy. It’s about births, deaths, marriages, and everything in between.

Madison March's life is perfect. And she'll do anything to keep it that way. Madison March is the perfect wife, with the perfect family and the perfect life. She spends her days baking sourdough and picking vegetables from the garden while watching her children play in the fields surrounding her Montana homestead. Dinner is always on the table for her husband and they end their days sitting on the porch, watching the sun go down. It’s a life anyone would dream of. And it’s all a lie.

Amos and Emerson have been friends for years. Despite vastly different backgrounds, the two now form an enviable portrait of middle age: their wives are close, their teenage daughters have grown up together, their days are passed in the comfortable languor of New York City wealth. They share an unbreakable bond, or so they think. This weekend, however, something is different. After gathering for Emerson’s birthday at his country home, celebration gives way to old rivalries and resentments which erupt in a shocking act of violence, one that threatens to shatter their finely made world.

It’s World War II, and Smith sisters Briar and Ginny are faced with the impossible task of holding their failing family farm together as the US army arrives on their island. In an attempt for normalcy, the sisters start a book club that quickly grows in numbers and becomes a lifeline for the women who remain on the island. That is, until a German soldier's arrival casts shadows of doubt and danger. Who can they really trust in their tight-knit community?

Big-hearted evocative, and achingly relatable, What We Leave Behind grapples with destiny, belonging, and love, and makes us question our own idea of family: the kind we’re born into and the kind we create.