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Eliza has always had a plan…until her seamlessly plotted life implodes, and her engagement falls apart. At thirty-two, she suddenly finds herself second-guessing the picture-perfect future she had always envisioned—one that included raising 2.5 children nearby her tight-knit Italian family in San Francisco. Then Eliza is offered the chance to start over: in Juneberry Lake, a small Midwestern town eager to lure remote workers to their picturesque community. Shocking her family and friends (and herself), Eliza packs up her apartment and buys a lake house sight unseen.

Seven years ago, Quinn finally dared to transform from a seal into a human and took her first steps on land. As a selkie, she is both a daughter of land and sea. But when a human stole her pelt, he stole her freedom as well, forcing Quinn to become his wife and bear his children. As legend tells, capturing a selkie will bring you luck, and she became a coveted prize. Constrained to a life that was no longer her own, Quinn longed for nothing more than to find her pelt and seize her freedom.

It’s summer and a young man walks through the gates of a luxurious mansion in the south of France. At the dinner table, the Blakes are waiting for him: Annie, the family matriarch and world-famous singer, her inscrutable husband David and their children, Dot, aloof and rebellious, Lily, the man’s carefree university friend, and their enigmatic older brother Felix. Between sun-drenched days spent lounging by the pool and nights blurring into endless, opulent parties far from the reality of life in London, a restless attraction grows between Felix and the man.

When Rachel Nardelli finds out Alison Petrucci—her childhood rival—is found dead in Pleasant Pond, the same place the two girls had first said goodbye to each other back in eighth grade, the town of Waterbury is outraged by the fear of losing one of their own—the heir to Maine’s largest construction company. But it’s a little more complicated for Rachel. She saw Alison the night she died. Callous, she said something she shouldn’t have. She stirred up the past. The next morning, Alison was gone.

Nicholas is fifteen when he forgets how to breathe. He had plenty of reason to feel unstable already: He’s been living with his dad in the bleak Chicago suburbs since his Russian-born mom kicked him out. Then one day in geometry class, Nicholas suddenly realizes that his hands are objects. The doctor says it’s just panic, but Nicholas suspects that his real problem might not be a psychiatric one: maybe the Greek god Pan is trapped inside his body.

Elijah Mendes was hoping for a more triumphant return to Chicago. His mother, Eve, is dying of cancer, his business flamed out, and he has nowhere else to go. So he returns to Chicago feeling listless and shattered, worried about how he’s going to help his mother despite their chilly relationship. He finds some inspiration when he discovers that their family owns a Jewish cemetery and that a man he’s never heard of, his great-uncle Solomon Kaplan, is buried in a plot there.

Amy Webb is a chef. Or rather, she was a chef. Somewhere along the way she also became a wife and a stepmother and an emergency contact, and the part of her that was a chef disappeared entirely–along with her sense of self. Which is why she is currently in the republic of Georgia, on a mission to find a lost dog named Angel, and, more importantly, the life’s purpose she once took for granted. For months, Amy has escaped by watching Youtube videos of Angel walking the children of Tbilisi to school. When Angel goes missing, Amy volunteers to go find him.

Former child star Michaela Turner is ready for her next big role—she just doesn’t know what it is yet. As someone whose days were once filled with bright lights, never-ending rehearsals, and adoring fans from around the world, Michaela now struggles to define herself beyond the glitz and glamour of her past.

A riveting debut novel for fans of Celeste Ng and Liane Moriarty, Greenwich explores the nature of desire and complicity against the backdrop of immense wealth and privilege, the ways that whiteness and power protect their own, and the uneasy moral ambiguity of redemption.

Winner of the Campiello Prize, The Lake’s Water Is Never Sweet is an unflinching portrait of a generation, striving to make a place for themselves in a world markedly different from the one their parents promised them. With psychological acuity and stylish prose, Caminito takes us into the volatile, searching mind of a young woman torn between her desire to connect with others and her drive for self-preservation.

Sampath Chawla was born in a time of drought that ended with a vengeance the night of his birth. All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

It’s 1972, and eighteen-year-old tomboy Maeve O’Connor must win a photography contest to escape her suffocating, conservative family and attend her dream school in Manhattan. But where will she find arresting subjects? Why, a washed up old seaside resort called Asbury Park, New Jersey—a place where sideshow entertainers, strippers, carnies, artists, and alternative lifestyles coexist on the boardwalk in plain sight.

Charlie is twenty-three, single and the new publicity assistant at London’s preeminent independent book publishing house. Richard Aveling is fifty-six, married and the author who has defined his generation. Charlie has long idolized the charming, illustrious writer, who also represents a link to her late mother who loved his work. But as they embark on an illicit and all-consuming affair, Charlie is forced to hide the relationship from everyone she cares about.

The Hill by Harriet Clark is a forthcoming title from Farrar, Straus and Giroux.

It's no ordinary existence on the rugged isle of Muckle Flugga. The elements run riot and the very rocks that shape the place begin to shift under their influence. The only human inhabitants are the lighthouse keeper, known as The Father, and his otherworldly son, Ouse. Them, and the occasional lodger to keep the wolf from the door.

At the turn of the millennium, editorial assistant Clodagh “Clo” Harmon wants nothing more than to rise through the ranks at the world’s most prestigious fashion magazine. There’s just one problem: She doesn’t have the right pedigree. Instead, Clo is a “workhorse” surrounded by beautiful, wealthy, impossibly well-connected “show horses” who get ahead without effort, including her beguiling cubicle-mate, Davis Lawrence, the daughter of a beloved but fading Broadway actress.

The year is 1986, and Yurka Konev, 16, has been sent off for another summer at Pioneer Camp. Impulsive, forthright, and unfairly branded as a troublemaker, he anticipates the weeks ahead of him with boredom and dread. But when he’s pushed into working on the camp’s theater production, he meets serious, thoughtful troop leader Volodya. Yurka finds himself drawn to the slightly older boy, and, surprisingly, Volodya seems to like him, too. The two boys grow closer and closer, and though both fear the consequences of their illegal attraction, its gravity pulls them together.

On the evening of July 4th, Sylviane Rochas scatters her mother's ashes in New York and lets the changing wind blow her to the French seaside town of Marseille. For the first time in her life, Vianne holds the future in her own hands. Charming her way into a job as a waitress in a local bistrot, she knows that she is not here to stay - by the time her child is born in a few months' time, she must be gone.

"Ich hatte einmal sieben Väter in sieben Jahren. Dies hier ist die Geschichte über jene Zeit. Wenn etwas davon erfunden klingt, kannst du sicher sein, dass es wahr ist." Weihnachten 1983 in Schweden: Der siebenjährige Andrev erfährt, dass sein »Papa« gar nicht sein leiblicher Vater ist. Der lebt weit entfernt und hat lange schwarze Haare. Wie ein Indianer. Andrev ist sich seitdem sicher, dass er bald kommen wird, um ihn mitzunehmen. Stattdessen kommen jedoch nur sechs weitere Väter, die nicht die seinen sind.

“The unopenable box. A mythical object that appears in fairy tales and folklore across all cultures around the world. Sometimes the box can only be opened by the right person at the right time, such a rightful heir, and in other tales it is considered a warning. A test given to the protagonist who are typically forbidden from opening the box. When they eventually succumb, what they unleash cannot be put back in.”