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Of course nineteen-year-old Brennan’s life would be upended by something as ridiculous and unexpected as turning into a vampire. But if there’s one thing Brennan can do, it’s pretend everything’s fine. Yet Brennan’s new bloodthirsty existence gets way more complicated after Cole, the super cute librarian – and everyone’s campus crush – stumbles on Brennan drinking from a stolen blood bag. To his surprise, Cole is happy to keep Brennan’s secret, and even seems to . . . maybe like him?

After winning his first Olivier Award for his performance in the West End’s top musical, The Wooden Horse, fabulously talented Jonah Penrose is the new shining star of London’s theatre scene. But Jonah’s success can’t erase the pain of a recent breakup, fix his self-doubt, or remedy his father’s ailing mind.\ Enter stage right, Dexter Ellis: the West End’s golden boy, the newest cast member of The Wooden Horse, and someone Jonah finds to be intolerable and arrogant.

Across Lagos, one of Africa's largest urban areas and one of the world's most dynamic cities, Osunde’s characters seek out love for themselves and their chosen partners, even as they risk ruining relationships with parents, spouses, family, and friends. As the novel unfolds, a rolling cast emerges: vibrantly active, stubbornly alive, brazenly flawed. As these characters grapple with desire, fear, time, death, and God, they form and break unexpected connections.

Gabriel is at rock bottom: a scandalous break-up with his wannabe poet ex-boyfriend, followed by a sudden sacking, and he’s spiralling. Thank God for his best friends, Tasha and Evie, who are committed to pulling him out of his depression hole and back into the world of work and dating. But suddenly there are new problems: How can he convince DiscreetHung from Grindr to go on a real-life date with him? Could the gorgeous man in the Post Office be The One? And why is Tasha’s boyfriend, Scott, trying to get between her and Gabe?

The trendy rural town of Griffin has become a popular destination for weekenders and the city’s second homeowners but now a congressional race in this swing district is highlighting tensions between life-long residents and new arrivals. The campaign pits local pub owner and town supervisor Chip Riley against the wealthy young carpetbagger Paul Banks, challenging the social and political loyalties of their families and friends with lasting repercussions.

Few stories captured the public’s imagination in the year 2000 like the friendly rivalry between the Teen Detectives of Edgar Mills, Massachusetts. Twin sisters Alice and Samantha VanDyne were thrust into the spotlight when they helped their father Sheriff Bill VanDyne bust a dangerous drug smuggling ring. Across town, bookish Joey O’Day proved himself to be a talented investigator of a different sort when he used his computer skills to expose an online grifter preying on elderly victims. As the two sets of teenage sleuths began jockeying to outdo each other, they became a sensation.

It's 2067 at Palm Meridian Retirement Resort, Florida, and the last day of Hannah's life. Tomorrow, as the sun burns the dew off the lawns, she'll close her eyes for the very last time. But she won't be going quietly. Tonight, Hannah's throwing an end-of-life party: the drinks are on ice, and the palm trees are strung with lights beneath technicolour skies. And though Hannah has less than twenty-four hours left, she's holding out for one last, impossible thing...

It’s 2067, and Florida is partially underwater, but even that can’t bring down the residents of Palm Meridian Retirement Resort, a utopian home for women who want to revel in their twilight years. Inside, Hula-Hoopers shimmy across the grass, fiercely competitive book clubs nearly come to blows, and the roller-ski team races up and down the winding paths. Injuries can occur, hips and backs not being what they were, but everywhere you look, these women are living large.

When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. This staggering, irreverent, gentle and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’ poetics.

When Kerensa is sent by her father’s auction house to catalogue a neglected house overlooking the sea in Newlyn, Cornwall, it’s a welcome escape. Once the home of two female artists, Harbour House is a treasure trove, but one painting in particular catches Kerensa’s eye – a hypnotically sensual portrait of a beautiful young woman which dominates the hallway.

They call it the King's Breakfast. One bite and you can understand the full scope of the universe; one bite and you can commune with forgotten gods beyond human comprehension. And it only grows deep in the Pamogo forest, where the trees crowd so tight that the forest floor is pitch black day and night, where rumors of strange cults and disappearing hikers abound. Sarah makes her living growing mushrooms. When a bad harvest leaves her in a desperate fix, the lure of the King's Breakfast has her journeying into those vast uncharted woods.

Susan “Zuzu” Braeburn is almost forty. She has the life she’s always dreamed of – a beautiful house, a child, a successful partner. But something between her and her wife has been off for a long time, and she can’t help but wonder if she’s chosen wrong at every turn. Choosing to live with her white mother over her Black father in the divorce, choosing to become a lawyer rather than an artist, and most importantly, choosing to marry Agnes despite her unrequited feelings for her male best friend Cash.

The third book in Mona Kasten's MAXTON HALL series—the multi-million copy international bestselling series. Listen to the series that inspired the Amazon Prime TV show!

At the height of lockdown, a group of flailing twenty-something friends makes an illicit break for freedom. A grand country house stands empty. Once the home of Theo's great uncle, it seems like the perfect place to get high and hang out in the spring sunshine, as they eschew adult responsibilities.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

It’s the summer of ’96 and best friends (and secret girlfriends), Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.

In m. mick powell’s polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poet’s queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icon’s life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility?

Magnetic, haunting, and tender, Extinction Capital of the World is a stunning portrait of Hawai’i—and a powerful meditation on family, queer love, and community amid imperialism and environmental collapse. In ten vibrant, affecting stories, Mariah Rigg immerses listeners in contemporary Hawai’i. By turns heartbreaking and hopeful, these stories of love, longing, and grief are fierce dispatches from a state haunted by the specter of colonization, a precious biome under constant threat.

The South unfolds during a visit by the Lim family to their rural clan estate after a long absence. Jay, in his mid-teens, and his two older sisters are less than thrilled to leave their city for the remote house in the south, but their parents, Sui Ching and Jack, are adamant.

In a lighthouse on a crumbling coastline, two greying wives keep the fires lit, reading futures in fish scales and sending signals into the dark, while a monster with an almost human face circles their garden, sly and hungry. Further up the coast, a woman experiencing strange cravings after an intense heartbreak feels herself pulled to the light at the cliff's edge, where she might finally be able to satisfy her hunger.