Próximamente

Paul Gauguin's legend as a transgressive genius arises as much from his biography as his aesthetically daring Polynesian paintings. Gauguin is chiefly known for his pictures that eschewed convention, to celebrate the beauty of an indigenous people and their culture. In this work, Sue Prideaux reveals that while Gauguin was a complicated man, his scandalous reputation is largely undeserved.

The paintings of Johannes Vermeer of Delft are some of the most beautiful, even sublime, in the history of art. Yet like the life of Vermeer himself, they are mysterious and have for centuries defied explanation. Following new leads, and drawing on a mass of historical evidence, some of it freshly uncovered in the archives of Delft and Rotterdam, Andrew Graham-Dixon paints a dramatically new picture of Vermeer, revealing many of the painter’s hitherto unknown friendships as well as his previously undetected allegiance to a radical movement driven underground by persecution.

In less than a decade, the prodigious painter Jean-Michel Basquiat went from a teenage graffiti artist to an international art star at the peak of the heady, excessive 1980s art boom. A legend in his own lifetime, Basquiat was a fixture of the downtown scene, full of rock music, couture fashion, outrageous art, and heady drugs. Along the way, Basquiat was involved with several of the time's most infamous personalities, from Keith Haring and Andy Warhol to his brief romantic fling with Madonna.

Andy Warhol claimed that he loved being outside a party—so that he could get in. But more often than not, the party was at his own studio, The Factory, where celebrities—from Edie Sedgwick and Allen Ginsberg to the Rolling Stones and the Velvet Underground—gathered in an ongoing bash.

The Outsider was an instant literary sensation when it was first published in 1956, thrusting its youthful author into the front rank of contemporary writers and thinkers. Wilson rationalised the psychological dislocation so characteristic of Western creative thinking into a coherent theory of alienation, and defined those affected by it as a type: the outsider. Through the works and lives of various artists, including Kafka, Camus, Hemingway, Hesse, Lawrence, Van Gogh, Shaw, Nietzsche and Dostoevsky, Wilson explored the psyche of the outsider, his effect on society and society's on him.

A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.

A fascinating look at the real Gabrielle "Coco" Chanel, the designer who forever revolutionized the way women look. She was a free spirit, brilliant business woman, and beauty who never found reciprocated love. Madsen, with authority, delves into this fashion doyenne's business and private lives to reveal one woman's extraordinary progress: from orphan to millinery shopkeeper, from lodestar of feminine style to a very rich woman with a closet full of dark secrets.

Here, Cheryl McKissack Daniel, CEO and president of McKissack & McKissack, reveals the full fascinating story of her family. So much more than an exploration of architectural achievements, The Black Family Who Built America is also a compelling illustration of how history rhymes and reverberates, and a celebration of the human spirit’s ability to overcome adversity and drive change. F

As one of the top fashion photographers in the industry, Sante D’Orazio played a seminal role in shaping how we define what it is to be beautiful, cool, glamorous, and hot. The résumé of A-listers he has shot includes top supermodels—Helena Christensen, Cindy Crawford, Linda Evangelista, Kate Moss, Christy Turlington, and Naomi Campbell, among others—as well as a myriad of actors, artists, and athletes including Pamela Anderson, Prince, Keith Richards, Axl Rose, Sophia Loren, Mickey Rourke, and Mike Tyson.

« Mes grands-parents ont grandi à l’Est de l’Europe, dans des pays de grands froids. Ils ont connu le chaos, les persécutions et l’exil. Plus qu’un désir, une fascination, la France fut pour eux une intuition. Même si tout cela m’est inconnu, cela ne m’est pas étranger. Je porte en moi leurs racines et aujourd’hui, sans que je les convoque, elles se rappellent à moi. ».

An exploration of artistic freedom, survival, and the hidden places of the imagination, including James Baldwin in Provence, Josephine Baker in Paris, Kevin Killian in San Francisco, and E. M. Forster in Cambridge, among other groundbreaking queer artists of the twentieth century. Nothing Ever Just Disappears is a radical new history of seven queer lives and the places that shaped these groundbreaking artists.

Everything about Picasso, except his physical stature, was on an enormous scale. His appetite for sex and money, eating and drinking, friends and quarrels, comedy and tragedy, are legendary. No artist of the first rank has been so aw-inspiringly productive. No artist of any rank has made so much money. A few artists have rivalled his life-span of ninety years, but none has attracted so insatiable a public interest. Patrick O’Brian, author of the famous Aubrey-Maturin novels, was a near neighbour of Picasso’s in the south of France for many years and knew him well.

Umes Arunagirinathan und Peggy Parnass trennten fünfzig Lebensjahre, die Hautfarbe, das Geschlecht und auch sonst eine ganze Menge. Doch entscheidend ist, was sie verband. Beide erlebten die tiefgreifende Erfahrung von Flucht und Vertreibung. Peggy wurde von ihrer Mutter 1939 auf einem Kindertransport nach Schweden geschickt, um sie vor der NS-Verfolgung zu retten. Umes kam als 13-jähriger unbegleiteter Flüchtling aus Sri Lanka nach Deutschland. Bei beiden verursacht dieses Schicksal viel Leid, aber löst auch den tiefen Wunsch aus, die Welt besser zu machen.

Women artists face particular pressure to give up their artistic goals in favor of motherhood, supporting a partner, or finding economic stability. Throughout her 20s and 30s, Stephanie Elizondo Griest could not help worrying if constantly prioritizing her writing over everything else—from postponing children to living nomadically to save on rent—was leading her to fulfillment or regret. The year she turned 40, she turned to other women artists around the globe for answers.

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women. Now in The Club, curator, art historian, and podcast host Jennifer Dasal presents the never-before-told story of the Club.

Throughout his five-decade career, film director Abel Ferrara—now in his seventies—has been one of cinema’s most provocative and critically revered figures. Since beginning as an independent filmmaker in Manhattan in the early 1970s—before “indie films” were a genre—and refining his craft as a director for the TV show Miami Vice, he has directed more than thirty feature films, most notably the cult classics Bad Lieutenant, King of New York, and Dangerous Game.

The enchanting story of La Maison du Pastel, a tiny shop in Paris that has been providing pastels to artists since the eighteenth century, and the two women who fell in love and brought it back to life.