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Werden die Männer mit dreißig getötet? Jeden Tag wächst Zoes Misstrauen weiter an. Sie hat zu viel gesehen, zu viel erlebt. Dinge, die sie nie wieder vergessen wird. Umso größer ist ihre Sorge, ob Flynn möglicherweise recht hat. Hat er sie mit seinem Hirngespinst nur angesteckt? Oder stimmt es wirklich, was er behauptet? Die Wahrheit kann Zoe nur herausfinden, wenn sie in Sektor 7 einbricht. Doch soll sie das wirklich tun? Eigentlich ist sie mit ihrem Leben bereits genug überfordert. Zoe und Bridget gehen unterschiedlich mit dem unerfüllten Kinderwunsch um.

Der phänomenale Abschluss der Niemannswelt-Reihe. Wer sich mit dem System anlegt, dem drohen Konsequenzen. Trotzdem kennt Zoe nur ein Ziel: Sie muss Flynn aus dem Labor befreien. Doch wie? Der Bunker ist ein Hochsicherheitsgefängnis und Flynn will nicht zulassen, dass sie seinetwegen alles verliert. Wenn er nicht mitwirkt, ist das Scheitern vorprogrammiert. Zoe braucht einen Plan. Einen bombensicheren. Sie muss sturer sein als Flynn, so mutig wie nie zuvor und das Unmögliche schaffen. Die Uhr tickt unerbittlich. Bei jedem Kampf muss einer verlieren.

A surrealist story of mourning and messiahs, deserts and droughts, cowboys and junkies, miracles and mass hysteria, the lure of despair and the solace of friendship. Peter Mendelsund's Weepers is a novel for this age: our age of anesthesia and anger.

In the near future—after a virus has swept the globe and the oil has run dry—what’s left of humanity has created a new technology, one that turns plastic back into oil. A mad scramble for resources ensues, with new cities being built on the seven largest landfills in the world. Plastic is the new gold. Tracer is the adopted daughter and hired gun for the president of PH City—built outside of what used to be Los Angeles, atop the Puente Hills landfill. When a distress call comes from the landfill city outside of Las Vegas, the president of PH sends Tracer to answer it.

A thrilling and ominously prophetic debut set in a world when Earth and its resources have been pushed to breaking point, giving rise to a revolutionary—and highly controversial—procedure in which two people’s consciousness can be combined to exist in one body.

Disguised by his secret identity The Shadow, Lamont Cranston enacts vigilante justice in New York City. But he’s not alone – his descendant and protégé Maddy has joined the fight. However, she has a lot to learn. From a destructive superweapon to a deadly virus, the fate of the world is in their hands. There is no room for mistakes – now more than ever. Maddy and Lamont must combine forces to eliminate these threats – and save all mankind.

Powerful and provocative, These Memories Do Not Belong to Us masterfully explores how governments and media manipulate history to control the collective imagination. It forces us to see beyond the sheen of convenient truths and to unearth real stories of sacrifice and love that, despite all odds, refuse to be eradicated.

Born to an Elite family, from birth Emeline has been marked as different, both for her heterochromia - her differently coloured eyes - and by a society that judges all its citizens on their ability to conform. Emeline only has one role open to her - to become a mother. Offered a pro-creation contract with Collin, a member of the Illum, the governing body of the Elite, Emeline's finds herself increasingly torn between her growing complicated feeling for her proposed mate and another man who lives on the margins of their society who challenges her ideals.

Lily wakes up in a compound in the middle of the desert, along with nine other women. All young, all beautiful, all keen to escape the grinding poverty, political unrest and environmental catastrophe of the outside world. Cameras track their every move, broadcasting to millions of reality TV fans. Soon, ten men will arrive on foot – if they all survive the journey. By sundown on their first day together, each contestant must have chosen a bedmate of the opposite sex or risk immediate banishment. Tasks must be completed, and rewards won to make the residents more desirable to each other.

In a near-future London where technology affects everything from our bodies to our politics, journalist Pels Badmus wants to make a real difference. She's desperate to solve a spate of disappearances of young Black kids—including a friend's brother. But her boss doesn't want to hear it. Instead, he assigns her to cover the "unreasonable" protests thousands of miles away in Benin, against culturally oblivious tourists coming to partake in sacred Spirit Vine rituals. So Pels soon finds herself in West Africa, ignoring her boss's motives in assigning her to this piece.

In a future San Francisco transformed by years of rain, Bo, a 40-year-old lapsed artist, is grieving the community she’s lost to catastrophic flooding. Her friends and family have disappeared or fled, the streets are rivers, and the buildings are falling apart. Yet on the day of her planned departure, Bo finds a note slipped under her door: I need help, it reads. Three days a week, afternoons. Can pay in cash.

A group of teenagers jump off a train platform intentionally into the path of an arriving train. The lone survivor, Charlie, cannot recall the incident, but is adamant that she and her friends weren’t suicidal. Her mother, Jo, is desperate for answers. When she’s approached by Nathalie Bergstedt, the Director of the Arbor Institute, a government-affiliated research institute who are investigating the rise of ‘flock’ behaviour phenomena – where people are banding together to self-destruct – she agrees to take Charlie there.

Kesta’s life is turned upside down when her husband Tim is one of the last to be bitten in a zombie pandemic. A scientist by day, she spends her evenings in group therapy, sharing with others who also lost a loved one to the virus. The country is in a brief respite, seemingly having rounded up everyone affected, and Project Dawn is working to find a vaccine, a cure to make sure it can’t reappear.