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The destruction of Pan Am Flight 103 over the Scottish town of Lockerbie in December 1988 was the largest attack on Britain since World War Two. 259 passengers and 11 townsfolk of Lockerbie were murdered. Libyan Abdelbaset al-Megrahi was convicted of the crime. He maintained his innocence until his death in 2012.

Close to midnight on May 17, 1951, four north Alabama lawmen drove to a bootlegger's home to serve an arrest warrant. Before the clock struck twelve, the bootlegger lay dead in front of the house he shared with his wife and eight children, and three of the four officers were also dead. Afterward, a sixteen-year-old boy would face a series of trials that would divide a county and thrust the state of Alabama into the national spotlight.

Exploring subjects like work and comedy, history and sport, the beauty industry and domesticity, anonymous author Man Who Has It All imagines a world in which men are bombarded with the same stereotypical bullshit as women. What if men's t-shirts were emblazoned with slogans encouraging them to be smiley, positive and kind? What if we laughed at jokes about fathers-in-law and male drivers? What if men's history was a niche topic? Behind the jokes about crazy cat gentlemen, testerical men and the 24-hour moustache, lies a deeper, darker message about language, power and control.

The eighteenth-century hanging of a schoolteacher for concealing the birth of a child out of wedlock has appeared in local legend over the last few centuries, but the full account of Ruth's story has never been told. Drawing on over two years of investigative research, author Carolyn Marvin brings to light the dramatic details of Ruth's life and the cruel injustice of colonial Portsmouth's moral code. As Marvin uncovers the real flesh-and-blood woman who suffered the ultimate punishment, her listeners come to understand Ruth as an individual and a woman of her time.

Born to a Secwepemc father and Jewish-Irish mother, Julian Brave Noisecat’s childhood was full of contradictions. Despite living in the urban Native community of Oakland, California, he was raised primarily by his white mother. He was a competitive powwow dancer, but asked his father to cut his hair short, fearing that his white classmates would call him a girl if he kept it long. When his father, tormented by an abusive and impoverished rez upbringing, eventually left the family, Noisecat was left to make sense of his Indigenous heritage and identity on his own.

In this incisive new work, Adrian Daub analyzes the global spread of cancel culture discourse as a moral panic, showing that, though its object is fuzzy, talk of cancel culture in global media has become a preoccupation of an embattled liberalism. There are plenty of conservative voices who gin up worries about cancel culture to advance their agendas. But more remarkable perhaps is that it is centrist, even left-leaning, media that have taken up the rallying cry and really defined the outlines of what cancel culture is supposed to be.

Pieces You’ll Never Get Back is a harrowing and redemptive memoir, in which a new mother must reconstruct her shattered mind, her relationship to her religious upbringing, and her life’s purpose.

Journalist Daniel Brook retraces Hirschfeld's rollicking life and reinvigorates his legacy, recovering one of the great visionaries of the twentieth century. In an era when gay sex was a crime and gender roles rigid, Hirschfeld taught that each of us is their own unique mixture of masculinity and femininity.

Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. In academia, studies of witches rarely emerge from scholars who are themselves witches and/or embedded in communities of witchcraft practitioners. The Witch Studies Reader brings together a diverse group of scholars, practitioners, and scholar-practitioners who examine witchcraft from a critical decolonial feminist perspective.

The spaces revealed through the practice of time manipulation in Black cultures lend themselves to storytelling, a time-hopping process that integrates memory and community. Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present.

In Against the Machine, “furiously gifted” (The Washington Post) novelist, poet, and essayist Paul Kingsnorth presents a wholly original—and terrifying—account of the technological-cultural matrix enveloping all of us. With masterful insight into the spiritual and economic roots of techno-capitalism, Kingsnorth reveals how the Machine, in the name of progress, has choked Western civilization, is destroying the Earth itself, and is reshaping us in its image.

In the nineteenth century, residents of Marblehead, Massachusetts, reported malicious pixies leading them in circles at dusk. In Aroostook County, Maine, elves called lutins exasperated farmers with their mischievous tricks and games. In Uncasville, Connecticut, beguiling creatures emerged for centuries at twilight to collect corn-filled baskets from members of the Mohegan Tribe. And in Harrisville, Rhode Island, a vision of fearful banshees augured death to an Irish seer.

In this final magisterial volume, fifteen years in the research and writing, David Levering Lewis stunningly recreates the second half of W.E.B. Du Bois’s charged and brilliant career.

In post-Roe America, where our bodies are not our own, the conversation around reproductive healthcare has been systematically stripped of its humanity. Yet no one, but for the patient themselves, understands the humanity in abortion care as the physicians who provide it do. For the first time, one of the 10 doctors to perform third-trimester abortions in the US shares 6 stories that challenge preconceived notions of who gets abortions—and why.

We like to think that we're gradually making progress towards equality. With the advent of ever more high-tech equipment at our fingertips, we tend to assume that progress will be hastened, as new technology is used in positive and democratising ways. But there is a new wave of technologies which threaten this notion. Deepfakes. The metaverse. Cyber brothels. With misogyny being baked into their design, these technologies are dragging women back to the dark ages.

In When It All Burns, wildland firefighter and anthropologist Jordan Thomas recounts a single, brutal six-month fire season with the Los Padres Hotshots—the special forces of America’s firefighters. Being a hotshot is among the most difficult jobs on earth. Thomas viscerally renders his crew’s attempts to battle flames that are often too destructive to contain. He uncovers the hidden cultural history of megafires, revealing how humanity’s symbiotic relationship with wildfire became a war—and what can be done to change it back.

Between 1987 and 1989, Alepho, Benjamin, and Benson, like tens of thousands of young boys, took flight from the massacres of Sudan's civil war. They became known as the Lost Boys. With little more than the clothes on their backs, sometimes not even that, they streamed out over Sudan in search of refuge. Their journey led them first to Ethiopia and then, driven back into Sudan, toward Kenya. They walked nearly one thousand miles, sustained only by the sheer will to live.

Make It Ours is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury. With access to Abloh's family, friends, collaborators, and contemporaries, and featuring a cast of fascinating characters ranging from visionary Black designers like Ozwald Boateng to Abloh's mercurial but critical employer and mentor Kanye West, Givhan weaves a spellbinding tale of a young man's rise amid a cultural moment that would upend a century's worth of ideas about luxury and taste.

Today it's routine to take photos from an airplane window, use a camera underwater, or watch a movie or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous. In Flashes of Brilliance, New York Times photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

Through the eyes of a reporter and the stomach of a hungry gay man, Dining Out examines the rise, impact and legacies of the nation's gay restaurants past, present, and future, connecting meals with memories. Hamburger Mary’s, Florent, a suburban Denny’s queered by kids: Piepenburg explores how these and many other gay restaurants, coffee shops, diners and unconventional eateries have charted queer placemaking and changed the modern LGBTQ civil rights movement for the better.