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Galilee has always known that she’s different—that there is an old and unknowable secret around her very existence. It has been a hollow ache inside her since her childhood, something she assumes she will always have to live with. Until she meets Lucifer Helel. He’s fronting as the head of security for her wealthy friend Oriaku’s family, protecting a mysterious, ancient artifact, but from the moment she lays eyes on him, Gali knows he’s not human.

Thirty-something Layla Smart was raised by her single mother to dream medium. But all Layla’s ever wanted was a career in dance, which requires dreaming big. So when she receives an offer to be the choreographer-in-residence at Briar House in rural Vermont, she temporarily leaves behind Brooklyn, her job, her friends, and her husband to pursue it. Layla has nine months to navigate a complex institution and teach a career-defining dance to a group of Black dancers in a very small, very white town.

December 1840. Surgeon turned piano-player Benjamin January is looking forward to a peaceful holiday with his family. But the arrival of an old friend brings unexpected news—and unexpected danger. Persephone Jondrette has found Arithmus: a Sudanese man with extraordinary mental abilities who January last saw in France, nearly fifteen years ago, during a ghost-hunting expedition to a haunted chateau. January and his friends survived the experience . . . but Arithmus's benefactor, the British explorer Deverel Wishart, did not.

The characters in Dominic Hoffman's tales of Late Rehearsals are familiar. Their choices are recognizable, and the people are far from perfect. Humor is a constant. However, their most significant commonality is the sense that every day is a rehearsal for the next. In this compilation of narratives, contemporary fables and intimate accounts, we travel cultures and cities, contemplate life and death to discover that our lives can be justified, vilified or distanced by the simple act of viewing the lives of others.

Professional ballerina Thea Ross’s world shatters when her screen-legend father commits suicide, leaving behind a shocking confession to a decades-old murder. Determined to uncover the truth, Thea teams up with a relentless journalist, following a trail of clues that leads her back to the glittering yet treacherous world of 1930s Hollywood. There, she discovers the story of Lorelei Davies, a struggling actress willing to endure anything for her family’s sake.

It's Me They Follow has descriptive copy which is not yet available from the Publisher.

When Judith Rice fled her childhood home, she thought she’d severed her abusive mother’s hold on her. She didn’t have a plan or destination, just a desperate need to escape. Drawn to the forests of northern Georgia, Jude finds shelter in a house as haunted by its violent history as she is by her own. Jude embraces the eccentricities of the dilapidated house, soothing its ghosts and haints, honoring its blood-soaked land. And over the next thirteen years, Jude blossoms from her bitter beginnings into a wisewoman, a healer.

Lost in the streets and smoldering rubble of Occupied Germany, Ethel Gathers, the proud wife of an American soldier spots a gaggle of mixed-race children following a nun. Desperate to conceive her own family, she feels compelled to follow them to learn their story. Ozzie Philips volunteers for the army in 1948, eager to break barriers for Black soldiers. Despite his best efforts, he finds the racism he encountered at home in Philadelphia has followed him overseas. He finds solace in the arms of Jelka, a German woman struggling with the lack of resources and even joy in her destroyed country.

From award-winning author Diamond Forde comes a stunningly powerful poetry collection exploring lineage and the legacy of survival as seen through the life of her grandmother Alice—a Black woman born in the Jim Crow South—using the King James Bible as a narrative framework.

The Intentions of Thunder gathers, for the first time, the essential work from across Patricia Smith’s decorated career. Here, Smith’s poems, affixed with her remarkable gift of insight, present a rapturous ode to life. With careful yet vaulting movement, these poems traverse the redeeming landscape of pain, confront the frightening revelations of history, and disclose the joyous possibilities of the future. The result is a profound testament to the necessity of poetry—all the careful witness, embodied experience, and bristling pleasure that it bestows—and of Smith’s necessary voice.

Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, “The Two-Headed Nightngale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into slavery and ill treatment as a “freak” sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”

The Leisure Class has descriptive copy which is not yet available from the Publisher.

Champagne Taste on a Bad Boy Budget has descriptive copy which is not yet available from the Publisher.

Henry Cebolla Shackleton es un pícaro niño esclavo en cuyo camino se cruza el legendario abolicionista John Brown, «el más americano de todos nosotros», en palabras de Henry David Thoreau; «el hijop--a asesino más infame y retorcío que jamás hayáis visto», a ojos del Cebolla. Comienza así la hilarante autobiografía de Henry, envuelto contra su voluntad en la cruzada antiesclavista del ejército de John Brown y obligado a hacerse pasar por una niña para sobrevivir.

As director of an award-winning investigative news radio show, Billie Jordan is used to dealing with trouble. But when the radio station is sold, she’s suddenly jobless and in need of money to help her son recover from an accident-related opioid addiction. When her husband gets a professorship at an HBCU in his hometown, Billie makes the best of their move South. All seems well—until severe storms cause massive destruction and contaminate the town’s water supply—making it unsafe to drink.

Mabel has been staying in the Golden Plate—the most expensive building on the block, in an unnamed city in Brazil—for almost her entire life. Yet her presence there is merely tolerated: she inhabits a miniscule room with her mother, Eunice, who alongside Mabel provides round-the-clock attention and care for the wealthy family who lives there. As Mabel grows up, her dissatisfaction with the forced smallness of her life becomes difficult to bear, and she is driven to work toward new possibilities for herself.

When Judith Rice ran away from the house she grew up in, she thought she severed her abusive mother’s hold on her. Seventeen years later, she’s made a home for herself in a cottage secluded deep in the forests of northern Georgia. Jude believes she’s settled into a quiet life. But when an enigmatic woman shows up on her doorstep, Jude’s tentative peace is threatened by the stranger’s presence.

Eunice does the best that she can—uneducated, and with a daughter and ailing mother both depending solely on her, her life is a series of limitations. She moves through the rooms of the penthouse suite in silent servitude, and though Mabel is ashamed of this invisibility act they've both perfected, the era of slavery is still fresh in the country's consciousness, and Eunice thinks it best not to dwell too hard on such things. But when tragedy strikes, and a little boy dies, Eunice must decide if she can face the indifference and injustices of the ruling class she has spent so long orbiting.

Eighteen-year-old Aine Kamara has been anticipating a reunion with her older sister, Mbabazi, for months. But when Mbabazi shows up with an unexpected guest, Aine must confront an old fear: her beloved sister is gay in a country with tight anti-homosexuality laws. Over a weekend at Aine's all girls' boarding school, sisterly bonds strengthen, and a new friendship emerges between Aine and her sister's partner, Achen. Later, a sudden death in the family brings Achen to Mbabazi's and Aine's village, resulting in tensions that put Mrs. Kamara's Christian beliefs to the test.

On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert as a peaceful fishing interlude ends in murder and the disclosure of government secrets. In Watershed, Percival Everett turns his focus once again to the injustices of recent American history, exploring the relationship between Native American activists and Black Panther groups who bonded over their shared enemies in the 1960s Civil Rights movement.