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The Intentions of Thunder gathers, for the first time, the essential work from across Patricia Smith’s decorated career. Here, Smith’s poems, affixed with her remarkable gift of insight, present a rapturous ode to life. With careful yet vaulting movement, these poems traverse the redeeming landscape of pain, confront the frightening revelations of history, and disclose the joyous possibilities of the future. The result is a profound testament to the necessity of poetry—all the careful witness, embodied experience, and bristling pleasure that it bestows—and of Smith’s necessary voice.

Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, “The Two-Headed Nightngale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into slavery and ill treatment as a “freak” sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”

For the many admirers of Mary Oliver's breathtaking poetry of touch and transcendence, as well as for those coming to her words for the first time, Little Alleluias is a revelation. These works observe, search, pause, astonish, and give thanks to both love and the natural world. In constant conversation with the sublime, (i.e. "Are you afraid? / Somewhere a thousand swans are flying / through winter's worst storm."), Oliver has the rare skill of rendering life: her poems bring movement to stillness, and people to the Earth, themselves, and each other.

Under the Blue is an arresting, deeply candid exploration of both the shimmering beauty of life and the realities of care. Through a series of glittering fragmental prose poems and evocative postcards, Suzannah V. Evans has produced a kaleidoscopic meditation grounded by profound humanity and empathy – about intimacy and togetherness, sickness and pain, what can be said and what remains unsayable.

Smoke Encrypted Whispers showcases Samuel Wagan Watson's imaginative brilliance and exceptional poetic skills. In this audiobook, which also includes work from three previous collections, his poems pulse with the language and images of a mangrove-lined river city, the beckoning highway, the just-glimpsed muse, the tug of childhood and restless ancestors. Wagan Watson's poetry is the work of an artist who speaks to a sense of our common humanity, and to a communal attachment to place.

Smoke Encrypted Whispers showcases Samuel Wagan Watson's imaginative brilliance and exceptional poetic skills. In this audiobook, which also includes work from three previous collections, his poems pulse with the language and images of a mangrove-lined river city, the beckoning highway, the just-glimpsed muse, the tug of childhood and restless ancestors. Wagan Watson's poetry is the work of an artist who speaks to a sense of our common humanity, and to a communal attachment to place.

Con la concesión del premio Nobel de Literatura a Bob Dylan quedó de manifiesto algo que millones de lectores ya sabíamos desde hace tiempo: muchos de los grandes compositores contemporáneos son también grandes poetas. En el caso de Johnny Cash, no solamente su música y su voz son sin duda referentes indiscutibles de la cultura contemporánea, sino que sus canciones a menudo retratan pequeñas historias contadas en verso, como si pertenecieran a la añeja tradición de la poesía oral musicalizada.

Virgin: one little six letter word that holds such incredible power. The power to pressure, to judge, to harm, to praise, to profit, to punish. But virginity is also just a concept, a label that has been pressed upon people for centuries in numerous cultures worldwide. In this highly anticipated collection of poetry, Hollie McNish unpicks the role this word has played in her own life, as well as others, with her trademark mix of humour, fury and compassion.

Southern Bred is a haunting, powerful collection of gothic poems that captivate and transport the listener into the heart and soul of the Deep South. Each poem offers a glimpse into its mystery and enchantment, drawing you in with a blend of beauty and darkness. In the style of a memoir in verse, it showcases Ghigna's southern soul and his tender, yet piercing language, and affirms his place as one of the finest poets of our time.

Dean Browne arrives at the After Party with the maturity and style of an altogether more seasoned poet. In a debut collection of standout and stand-alone poems, each tests the boundaries of its unique universe. Browne is a mesmeric teller of strange tales, imaginings that can seem origamically contained within the compressed dimensions of a poem. A leg sets off on a long train journey; a Parisian alley cat is launched into space; earthbound lovers attempt to connect while their inner lives prove unbridgeable.

The One Who Broke You Can't Heal You shines a light on the healthy bonds we deserve in our lives. You will learn about the bonds that you are participating in and the price you may be paying from your authenticity. You will learn that you can break the bonds that hurt and build the ones that heal. The One Who Broke You Can't Heal You examines several different types of bonds including: convenient bonds, trauma bonds, toxic bonds, forced bonds, enabling bonds, transactional bonds, and healthy bonds.

‘He seeks to contain multitudes’, commented one reviewer of John Stammers’ poetry, and in this long-awaited fourth collection Stammers’ restlessly eclectic range is very much in evidence. Here are poems of technical surprise alongside those of candid tenderness; poems that set love and love-making within a wider emotional and intellectual context. Here are epistemological meditations that nonetheless preserve the ‘essential gaudiness’ of poetry; and elegies for artist friends that consider the ephemeral nature of fame and charisma.

Divided into three parts—Body, Mind, and Soul—Brianna Pastor’s intimate collection of poems invites us inside a highly sensitive mind and explores what it’s like to discover neurodivergence in adulthood and view life through an empathetic lens. Hopefully, by deepening our understanding of sensitivity and how it affects others, we can move one step closer to a more connected, healed world.

In the poet's home county of West Yorkshire a few years ago, the Local Authority began converting a series of cow fields at the top of the road into a new cemetery. These poems, in regular, cascading tercets, sparked into being as Simon daily walked the site, with moorlands rising beyond it and the wind turbines of Brontë country to the north, watching the land tamed: eventually the muddy construction scene gives way to fresh headstones and mown lawns, and, during the Covid-19 lockdown, the spectacle of grave-diggers in Hazmat suits and socially distanced funeral services.

The conversion of a local beauty spot into a municipal graveyard is the starting point for New Cemetery. From regular walks around the boundary near his moorland home in West Yorkshire, Simon Armitage chronicles the extraordinary transformation of landscape both outer and inner. These luminous and wry poems—composed in short-lined tercets—reflect the changing world: one of unstable weather patterns and unpredictable news events, all observed across a few acres of Pennine upland.

The National Book Award, PEN/Voelcker, and NAACP Image Award winner returns with another inventive and boundary-breaking book: a sensual journey ignited in the archives of iconic queer Alexandrian poet C. P. Cavafy.

Shade is a place meanders east-west along Charlottesville’s Downtown Mall, seeking “a Black sense of place” at the pace of stressed shade and street trees, the mall’s architectural history, and the speaker’s inner life and ongoing questions. The collection of poems is a moving invitation to open one’s attention by looking up, down, and always within. Through lyric walking poems (“tree walks” and “shade walks”) and Bashō-style travelogue, Shade is a place unfolds as much through arboreal life as through one’s inner life—sometimes alone, sometimes with others, and always among turning trees.

百花繚乱！　心ときめく和歌の世界へようこそ！恋の喜び・切なさ、四季折々の美に触れる感動、別れの哀しみ、人生の儚さ、世の無常･･････

The Floodmeadow draws us into a seething pastoral where lightning threatens and thunder gathers, pylons and powerlines hum, and steel-framed gates sing out into the wind. In these incantatory pieces, everything is present at once. This is a visionary collection that invokes other times, dimensions and soundscapes to tell out some word of beauty and abundance in the here and now.

Reid was born in Hong Kong and, thanks to the roving nature of his father's employment, spent some of his childhood in foreign places. Most of the locations in this book, however, are the Britain of the 1950s and '60s - perhaps, at this distance in time, no less exotic. As the poems move from pre-verbal experience to adolescence, the younger self is captured in scenes that illuminate the steps by which a man - a poet - has been raised.