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Annie Ashworth is on maternity leave from her police job, enjoying spending time with baby Alfie. Perhaps her days at home are a little boring, but after all of the horrific crimes she’s witnessed, that’s fine with her. But when she starts having strange dreams – dreams that turn out to be linked to a local murder – she can’t stop herself from digging. There’s an eerie connection to a serial killer from the 1950s, and Annie fears that the same dark forces are back.

As spiritualism reaches its fevered pitch at the dawn of the twentieth century, a Scottish girl crosses the veil to unlock a powerful connection within an infamous asylum in this thrillingly atmospheric, exquisitely evocative exploration of feminine rage and agency for fans of Sarah Penner, Alice Hoffman, and Hester Fox.

Family Threads has descriptive copy which is not yet available from the Publisher.

From the author of Wild and Wicked Things comes a dark gothic fantasy about two young women struggling to find the freedom of choice in a world where their path feels predetermined. Turning to each other, they soon find themselves sinking deeper into a world of beauty, poison, and the insatiable quest for knowledge.

Lemon, poppy seed, sun-warmed sand. These visions convince Aoife to quit her job, leave her manipulative boyfriend, and escape to the isolated shores of the Farmstead commune. There, among its charismatic and hedonistic residents, Aoife finds everything she’s been missing: a community that adores her, the freedom to indulge, and the promise to be a part of something miraculous. But darkness underpins her airy new way of life. A disappearing cave looms above an ocean no one dares step foot in, mysterious crying fills the night hours, and a rot is spreading across the island.

Many full moons ago, a young American boy with ambition in his belly and the moon in his veins followed his destiny west, determined to carve a path to success no matter the carnage. Two centuries later, a city is captivated by the strange and savage murder of a young woman. Her roommate, Natasha, no longer able to afford their apartment alone—and hounded by both rumors of wolves and a pop-star’s angry fan-swarm—has resorted to living in her car. There’s nothing left for her ... except vengeance.

Rachel Galloway is bored in class. She spends the dreary fall days sketching in her notebook—adorable pigs munching on her boring teachers—and imagining a utopia where all the horrors of Burnskidde High School disappear. But when her classmates start to believe this utopia could be real, Galloway finds herself at the center of an elaborate, and quickly spreading, new religion. Before long, the town is split between believers and nonbelievers. As tensions rise and the rituals become more dangerous, Galloway can’t be sure what’s real and what’s not, or who she can trust.

Cutthroat NYC lawyer Mary Whelton just buried her problematic old mentor. But as she leaves the mourners and protesters behind, the press stays hot on her heels. Desperate to escape, she unwittingly barrels deep into a remote forest in upstate New York. Until a collision—with a buzzing, oozing throng of cicadas—stops her dead in her tracks. She awakens in a crude cabin, held captive by Girl, a simple, hulking woman who mistakes Mary for her derelict mother and obsesses over a mysterious Brood.

Huysmans est passionné par la démonologie et le surnaturel. Son héros, Durtal, est un historien amené à s'interroger sur la doctrine chrétienne et le satanisme. Il abandonne " l'adultère, l'amour, l'ambition, tous les sujets apprivoisés du roman moderne, pour écrire l'histoire de Gilles de Rais."

Herculine’s narrator has demons. Sure, her life includes several hallmarks of the typical trans girl sob story—conversion therapy, a string of shitty low-paying jobs, and even shittier exes—but she also regularly debates sleep paralysis demons that turn to mist soon after she wakes and carries vials of holy oil in her purse. Nothing, though, prepares her for the new malevolent force stalking her through the streets of New York City, more powerful than any she’s ever encountered.

Nathan Underhill is right at the cutting edge of stem-cell research: attempting to recreate mythological creatures in order to cure medical conditions like Alzheimer’s and MS. After five years of research, he loses his funding. He discovers that Doctor Zauber, owner of the local care home, has brought to life the basilisk, which could reputedly kill any living thing with a single stare. When Nathan’s wife, Grace, is put into a coma after nearly being killed, Nathan is forced to choose...

Thief by night and witch by birthright, candle maker Alaska McCullough has perfected the art of stealing by using magic. Until she takes something she never should've touched. The object should not have existed, yet it's putting her life and reputation on the line. Now she lives on borrowed time . . . unless she can find a way to give it back before it's too late.

We make monsters in order to destroy them. For thousands of years, we’ve named witches and burned them, suspected demons and exorcised them. When crops die and children fall ill, who better to blame than a monster? In nineteenth-century Bulgaria, Yana rides from one desolate town to the next, staging grisly displays while the villagers sleep: animal corpses in the public square, eggs filled with blood in the chicken coop. She tells the stricken villagers stories of vampires that stalk the night. Then Yana eliminates the threat, and leaves seeds of hope in her wake.

Braydon Harris and Suki, his little girl, are leaving her grandparent's house when a huge truck jack-knifes in front of their car. Suki is thrown from the vehicle and ends up in hospital suffering with terrible burns. Luckily, cryptozoology professor Nathan Underhill is working on a perfect cure. Underhill breeds mythological beasts, and lately he's been working with the legendary phoenix – whose cells he believes might hold exceptional healing properties against burns.

In the present day, following the break-up of a controlling marriage, single mother Nell moves into the crumbling Victorian Merry Hall with her teenage daughter, Fern. She’s determined to make a new life but the noises, moving objects, and strange smells in her new home make her increasingly unsettled.

Trapped. He fell through the gate to Hell to save my life. Beelzebub, the Lord of Gluttony, is no longer his own. He’s been mine ever since he caught me singing to myself, falling prey to the magic of my song. If I can keep my distance, we can both move on. But now, he is caught under my spell, which makes him forbidden to touch. And yet, he is the only one I can trust to get me back to Crystal Hollow. We’ll have to make it through the Nine Circles of Hell first. No matter what we lose along the way.

December, 1914: After the death of her aunt, Alma Timperley is surprised when she suddenly finds herself the heiress to the Timperley Spiritualist Hotel in a pretty coastal town in Cornwall. But not everything is as it seems... the hotel offers guests a very special service: the chance to communicate with the dead.

Mavis broke from her parents’ congregation years ago, but she still hasn’t recovered. Their impossible expectations and soul-shredding critiques have dug deep into her mind, and she’s taunted by the knowledge that even when she’s done nothing wrong, she’ll never be right. Now Mavis is afraid she’s about to lose the only thing she has: her husband, Jerrod. The man she’s always known was too good to be true. No one thinks she deserves him—not even after surviving the serial cheater they wanted her to stick by—and soon they’ll all find out they were right.

Teetering on the edge of the North Sea in Norfolk, Grimdark Hall is both grim and dark in name and nature. When Cló and Jude Honeyborne arrive from Toronto to claim Jude's inheritance, Cló is unsettled by the foreboding ancient building and the hostility of Jude's sisters, who stalk her every move. But Cló is drawn to the strange energy of the treacherous fens and the haunting sadness of a drowned village in the bay where ghostly church bells toll thirteen, sweeping her back into another woman's memories.

The day Oona was kicked out of her mother’s coven, she gave up on her dreams of harnessing the witchcraft that was her birthright. Years later, she's carved out an ordinary life with her husband, though she is filled with a longing she can barely name. If she could only become a mother, then—according to island lore—she will come into her magic.