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Kash owes a lot of money. His restaurant, specialising in exotic meats and catering to New York’s elite, was doing well. Then business dried up, and now Boris the loan shark wants his investment back. But Kash has a plan. There’s a rumour of a dinner club, hosted in turns by billionaires. Lots of ego, and lots of money. If Kash can get the gig, it would pay off Boris and then some. He will need to offer something new, something that five of the richest men on the planet will have never tasted before. Something entirely unprecedented …

When Luca drops out of his prestigious PhD programme and moves back home to Manchester, he thinks he'll take some time to consider his life choices: the failed love affair that ended in a disastrous holiday and embarrassing exit, the pursuit of an academic life that gave him nothing but a strong sense of failure. In need of money, and still convinced the literary life might be for him, Luca takes on a job as a ghost writer: Andy, who has progressive MS, wants Luca to write his life story.

Years after escaping her unbearable artworld friends in New York for a new life in London, an unnamed writer finds herself back on the Lower East Side attending a dinner party hosted by Eugene and Nicole – an artist-curator couple – and attended by their pretentious circle. It’s the evening after the funeral of their mutual friend, a failed actress, and if the narrator once loved and admired Eugene and Nicole and their important friends, she now despises them all.

An ordinary day in August 1979 dawns hot and humid in Chicago. Teenager Teddy is living with his dad after being kicked out of his mom’s house due to his gang activity. But Teddy has thrived in the Simon City Royals, and today, he'll be helping to lead a posse of the group's younger members south across the city to Roosevelt High School to attend a gathering of gangs forming “the Nation”—a bold new attempt at joining forces across racial lines. This holds particular importance for Teddy, as his branch’s only Indigenous member.

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When Cynthie Taylor gets her first real acting job, starring in a small British movie, she is over the moon. There is only one problem... Cynthie's arrogant and annoyingly handsome costar Jack hates her, and the feeling is definitely mutual. While they may be at war behind the scenes, their on-screen chemistry is palpable, and the studio sees an opportunity – have the two young stars fake a romance that will charm fans and draw crowds.

Maggie, Harley and Róise are friends on the brink: of triumph, catastrophe, or maybe just finally growing up. Their crumbling Belfast houseshare has been witness to their roaring twenties, filled with questionable one-night stands and ruthless hangovers. But now fault-lines are beginning to show. The three girls are still grieving the tragic death of their friend, Lydia, whose room remains untouched. Their last big fight hangs heavy over their heads, unspoken since the accident. And now they are all beginning to unravel.

Fraternal twins Khalid and Khalia are opposite as night and day. Khalia is the main enforcer for the family, a true gangstress, while Khalid has political aspirations to run for Senator and continue to push the family’s drugs to all the high ranking members of the Senate. All that changes when a deadly incident occurs at one of his campaign events. Meanwhile Khalia is content with dropping bodies first and asking questions later, until she crosses paths with someone who makes her second guess everything.

At the Edinburgh Fringe, vicious theatre critic Alex Lyons is dashing off his latest hatchet job. When Alex meets the show’s performer, Hayley, in a bar afterwards, she has no idea who he is. It’s only after they’ve spent the night together that Alex’s well-meaning flatmate, Sophie, accidentally shows Hayley the one-star review. Humiliated and furious, Hayley revamps her show into a one-star review of Alex’s entire life. Starring every bad thing he’s ever done to anyone. Sparing absolutely no details.

Zoe, Al, Rachel, Rob, Yas and Indie. Six friends who were inseparable at university, who have all had their secret or not so secret passions for each other, their own hopes and fears. Set over one year and told from multiple perspectives, BIRTHS, DEATHS AND MARRIAGES is an era-spanning, globe-trotting novel about love, friendship, and how to stay at least relatively sane in an ever crazier world. It’s about a group of friends growing older, a pair of sometime lovers finding their way back to each other, about kindness and joy. It’s about births, deaths, marriages, and everything in between.

Hugo Hunter was the most celebrated gay novelist of the 20th century. He published two masterpieces, securing his place alongside the dazzling literary greats of the 1950s, 60s and 70s, and rubbing shoulders with everyone from Truman Capote to James Baldwin. But after decades of fame and excess, just as New York City enters the 1980s and awakes to the coming horror of AIDS, Hugo finds himself running out of money. Out of nowhere, he receives an extraordinary lifeline: an offer from his longtime publisher. The money will solve all his problems – except for one thing. Hugo Hunter is an imposter.

1997. It’s Red Nose Day and Tess, Candace, Dana and Arianna rock up to school dressed as the same Spice Girl. Embarrassing. But it’s the start of a friendship that will see them through the challenges of school, family life, dreaming up their future and first relationships – good, bad and unspeakable. 2019. The girls haven’t been in touch for years – since devastating secrets and the trials of adult life tore them apart. Until, one day, Candace contacts Tess and Arianna to say Dana has gone missing.

To the world, Jane Brown, a Los-Angeles based professional organizer, is a model of composure and reticence. But inside, she’s fiercely judgmental and critical of herself and others. A lover of order and tidiness, she struggles to accept the world’s exasperating messiness of both her own clients—a superficial sphere of influencers and rich creatives—and her live-in boyfriend, who is becoming as aggravating as he is comforting. When she arrives at the home of a new client, a has-been Hollywood actress—a woman opposite to her in every way—Jane finds herself unexpectedly moved.