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In taut and stylish prose, The Passenger Seat examines how men learn and perform masculinity. Rejecting easy answers, it keeps our eyes trained on the vanishing point where vulnerability edges into violence, alienation into aggression.

When they were kids, Gillian and John used to visit the local cemetery every Sunday after church. The main attraction was the lofty hill that separated the cemetery from the elementary school, and the act of tumbling down it like Jack and Jill was a ritualistic escape from the abuse they were suffering at their father's hands. It was an escape that lasted only until John's tragic death.

Oghi wakes in a hospital bed unable to speak or move. The car accident that killed his wife has left him trapped in his own body and under the control of his mother-in-law, as she grieves the loss of her only child. Isolated from his friends and neglected by his nurse, Oghi’s world shrinks to the room he lies in and his memories of his wife, a sensitive woman who found solace in cultivating her garden. But as Oghi remains alone and paralysed, his mother-in-law is hard at work in the garden, uprooting what her daughter had worked so hard to plant and obsessively digging larger and larger holes.

Jane must return to the one place she fears most. Her family home. Jane's father was murdered in cold blood at the family home. The killer was never found. In the years since, Jane has done everything in her power to stay away from that house. To forget the nightmare and get on with her life. But now she has to go back. Her mother is ill and Jane must care for her. Her husband Joe goes with her but soon after they arrive at her family home, he begins to act strangely. Adding to her unease, Jane's brother Dan is openly hostile.

Our narrator’s name and origins are unknown. The man she lives with, Oliver, who serves as both her caregiver and her captor, told her she came to him from another star. Though she arrived a grown woman, she did not yet have the ability to speak or count. Oliver had to teach her how to properly chew her food and clean herself. Though isolated from our world, he did his best to care for his charge and, she insists, always felt the need to develop her into more than she was.

Ruth is alone, unnoticed, and at a loss: her marriage has ended, her daughter is leaving home, and her job is leading nowhere. But luckily Sookie is back in her life–vivid, self-assured Sookie, who never spared the time for Ruth when they were teenagers, but who now seems to want to be friends. But as Ruth is caught up in Sookie’s life, she sees that everything is not as Instagrammable as Sookie would have you believe. As the truth about Sookie becomes clearer, so too does the choice Ruth will have to make.

Mira is a desperate young woman, hired by a wealthy single mother to tutor her lonesome son, Yuchan. But Mira is not who she presents herself to be; she is haunted by the death of her own family and motivated by the dark pulse of vengeance. Yuchan was cruel to Mira’s mother. A kind of cruelty she can’t ever forgive. And then there is Jiwon, the boy’s mother, a bad mother, Mira thinks—or so Jiwon tells herself she must not be. But as Mira spends more time in the family’s sprawling home, she begins to suspect Yuchan is not the culprit she’s after.

Beth is a new mother struggling to find her place in the world. She is exhausted, mentally and physically, but her anxieties are not simply the fears of a first-time mum. A terror burns in her, fuelled by a secret past she is lucky to have escaped. When a letter arrives, bearing only the infinity symbol, Beth knows immediately it is from them. And that her past is finally catching up with her… Ten years earlier, on the heels of a messy breakup, Beth meets the effervescent Marissa who introduces her to Elixir, a health and wellness organization that she promises will change Beth's life forever.

Set in the Eisenhower era, Lynda Lee Rogers, a former beauty pageant queen, seems to have an idyllic life, but in reality she struggles with debilitating headaches and depression, only finding solace in pain pills which evoke vivid dreams of enchanted lands where an ancient Irish weaver provides the wisdom and relief her real life can not; offering an exploration into women's eternal quest for inner peace and happiness while caring for their families, delving into themes of mental health, empathy, authenticity, and the search for identity.

The Library of Fates was designed to show you who you are—and who you could become. Its rarest book, The Book of Dark Nights, holds a secret: when you write an intimate confession on its pages, you'll receive a prediction for your future, penned in your own handwriting. For Eleanor, whose childhood was defined by a senseless tragedy, the library offers a world where everything makes sense. She’s spent most of her life there as an apprentice to the brilliant librarian, showing other people how to find the meaning of their lives in stories.

In 1969, twenty-three-year-old starlet Lori Lovely, the apple of Hollywood’s eye, shocks the world by ditching a promising film career to take vows of poverty, chastity, and obedience as a Benedictine nun. Gossip columnists and scandal sheets can’t get enough of the story. Why would such a beautiful girl take the veil? Was she hiding from someone? Did it have anything to do with the tragic death of her costar, heartthrob singer Lucas Wesley?

Birdie Rhodes was only thirteen when legendary modeling agent Harriet Goldman discovered her in a department store and transformed her into one of Harriet's Girls. What followed felt like the start of something incredible, a chance for shy Birdie to express herself in front of the camera. But two years later, she meets a thirty-one-year-old rock star, and her teenage heart falls hard as he leads her into a new life, despite Harriet's warnings. Then, as abruptly as it began, it's over, like a lipstick-smeared fever dream.

A novel within a novel, we read here Milton’s account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, sometimes surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of racial and institutional violence and the systemic injustices in our systems of incarceration and so-called reform.

Jenny had never intended to return to the windy cliffside town of Innisard. But when her fiancé Richard suggests they marry in the Irish town she grew up in, the town where her parents were buried, she knows it's time to face the past so she can move on with her future. Faced with the prospect of her husband having a secret twin, Jenny feels the threads of her future begin to unravel, along with her wedding. How can she trust this man, for better or worse, when he's clearly hiding secrets? Why is his brother here in Innisard? And was the murderer intending to kill his twin, or Richard himself?

Stan, a young and promising French composer, is invited to arrange the music for a theatrical adaptation of The Picture of Dorian Gray. The play will never be staged, but Stan meets Liv, the love of his life, and their harmonious duo soon becomes a trio with the birth of their beloved daughter, Lisa. Paris, today. After Liv's accident, Stan returns to France surrounded by darkness, no longer able to compose.

Maya and Daughter live in complete isolation in a secluded woodland, their days aligned with the light and changing seasons, a complex pattern of routine and ritual. Daughter has never questioned the life her mother has chosen for them; the life that has meant she's never met another soul, or known anywhere except their forest home. But one day, when Daughter is almost sixteen, a red-haired stranger steps into the confines of their territory.

Olive just wants people to open up. As a radio host, she interviews writers about their works-in-progress, probing for insight; as a friend and a sister, she’s hungry for closeness. She has a habit of recording people without their knowledge, just to hear the world reflected back at her. Olive is approaching her mid-thirties, coddled by her mother and perpetually single, when she meets Theo. He’s a surgeon – he literally cuts people open, which fascinates her – and, with a quick wit and a charming gap between his two front teeth, he seems to adore her.

When you look down at your newborn baby, you realise they were right, those smug parents you’ve always rolled your eyes at: you’d do literally anything for your child. To make them happy, keep them safe. So when Joseph Carver wakes one night to find his teenage son Max scrubbing the kitchen, hands wet with blood and panic flooding his voice as he promises it was an accident, he didn’t mean to do it, Joseph does the only thing he can. He helps Max bury the body.

They call it the King's Breakfast. One bite and you can understand the full scope of the universe; one bite and you can commune with forgotten gods beyond human comprehension. And it only grows deep in the Pamogo forest, where the trees crowd so tight that the forest floor is pitch black day and night, where rumors of strange cults and disappearing hikers abound. Sarah makes her living growing mushrooms. When a bad harvest leaves her in a desperate fix, the lure of the King's Breakfast has her journeying into those vast uncharted woods.

The Sunshine Man has descriptive copy which is not yet available from the Publisher.