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I'm at breaking point. I'm a stay-at-home mom and I love my four-year-old twins more than anything—but they're a handful. My husband's always away on business. My mother's in the early stages of dementia. It's a lot. How does an 81-year-old woman, who hasn't left her bedroom in months, simply vanish into thin air? I'm trying not to freak out at the thought of my mother wandering the neighborhood, lost in a daze of confusion. We found her—but that was the moment I knew I needed help. So I let Dana into my home. She seems like the answer to my prayers. She'll be my mother's live-in caregiver.

Vicken has a plan: throw himself into the Saint Lawrence River in Montreal and end it all for good, believing it to be the only way out for him after a lifetime of depression and pain. But, stepping off the subway, he finds himself in an endless, looping station. Determined to find a way out again, he starts to explore the rooms and corridors ahead of him. But no matter how many claustrophobic hallways or vast cathedral-esque rooms he passes through, the exit is nowhere in sight. The more he explores his strange new prison, the more he becomes convinced that he hasn't been trapped there

On this journey through the labyrinthine streets and hidden corners of one of the world's most fascinating cities, everybody is searching for something, and maybe searching in the wrong places. Elements of the fantastical and the surreal abound, as they tend to do in the early predawn hours of the morning, yet the settings, the human stories, and each character's search are all as real as can be.

The final book in Philip K. Dick’s VALIS trilogy, The Transmigration of Timothy Archer brings the author’s search for the identity and nature of God to a close. The novel follows Bishop Timothy Archer as he travels to Israel, ostensibly to examine ancient scrolls bearing the words of Christ. But more importantly, this leads him to examine the decisions he made during his life and how they may have contributed to the suicides of his mistress and son.

On the dark streets of Edinburgh, a killer is waiting. When a body is found, it is only the beginning. Soon there will be seven more. In the city’s hospital, renowned surgeon Beth Waterfall is grieving. Her beloved only daughter fell prey to a vicious stalker a year previously – and now he’s coming for her too. Edinburgh’s police are desperate. After one body comes another, and then another. The brutal deaths are all seemingly unconnected, yet DS Lively and forensic profiler Dr Connie Woolwine know they are dealing with a serial killer – they just need to prove it.

A Leopard-Skin Hat may be Anne Serre’s most moving novel yet. A masterpiece of simplicity, emotion and elegance, it is the story of an intense friendship between the Narrator and his close childhood friend, Fanny, who suffers from profound psychological disorders. A series of short scenes paints the portrait of a strong-willed and tormented young woman battling many demons, and of the Narrator’s loving and anguished attachment to her.

For years, the third moon in the Alphane system was used as a psychiatric hospital. But when war broke out between Earth and the Alphanes, the hospital was left unguarded and the inmates set up their own society, made up of competing factions based on their particular mental illnesses. When Earth sends a delegation to take back the colony, they find enclaves of depressives, schizophrenics, paranoiacs, and others uniting to repel what they see as a foreign invasion. Meanwhile, back on Earth, CIA agent Chuck Rittersdorf and his wife, Mary, go through a bitter divorce, and Chuck loses everything.

When they were boys, Ray Dawley, Eddie Sayers, and Matthew Kauffman were the best of friends. Then new kid Bobby “Bones” Bonetti fell through the ice at Blackamore Pond. The other boys saved Bobby from drowning, but something else came out of the water that day, something dangerous that would tear their friendship apart and set one of them on a dark path.

We've all been there. A loved one or a dear friend becomes desperately ill or is tragically injured. Someone - maybe even you - says, "If that ever happens to me, I wish someone would just . . . kill me." What if you could choose when to die? But once you decide, you can't change your mind - ever. Welcome to the next step in the evolution of suspense fiction, an in-your-face/what-would-you-do topical thriller.

Reeling from a breakup and overlooked at her job as a lighting designer, Iris Sunnegren finds herself stuck, disconnected, and lonely in crowded New York City. Her wealthy friends are married and having babies, while she’s trying to pay for freezing her eggs. And the future she longs for feels out of reach. Then, a mysterious neighbor, an older Frenchwoman, makes her a gift: a bespoke perfume. One spritz, a dab behind the ears, and Iris feels like a different woman. Suddenly, she is the object of every man’s desire, and she can satisfy her own hungers for sex, love, and ambition.

Jane Whitaker and Ivy Chapman have been best friends for twenty years - ever since their sons Cal and Brad attended the same preschool. But their close bond is severely tested when their now adult sons go skiing together in Wyoming and only one returns. Where is Cal Whitaker and why didn’t Brad Chapman report him missing? With growing fears for Cal's safety, his family begins to suspect Brad knows a lot more than he's saying. Friendship turns to suspicion and then to open hostility when Cal's sister Emerson posts an online appeal that ignites a vicious crusade against Brad.

For much of her life, Dawn has felt as if something had been missing. Now, at the age of fifty-eight, with a divorce behind her and her two grown-up sons busy with their own lives, she should be trying to settle into a new future for herself. But she keeps returning to the past and to the secret she’s kept all these years. At just sixteen, Dawn found herself pregnant, and—as was common in Trinidad back then—her parents sent her away to have the baby and give her up for adoption.

God is not dead, he has merely been exiled to an extraterrestrial planet. It is on this planet that Yah—as this possible God is known—meets Herb Asher and convinces him to help Yah return to Earth, which is itself under the control of the demonic Belial. To do this, Asher must shepherd a woman pregnant with Yah past the tight security of Earth.

A Prologue to Love introduces three generations of the Ames family during the Gilded Age and the early twentieth century—painting a compassionate portrait of a difficult woman, those who have hurt her, and those she has hurt. It is a vivid, profoundly moving novel that explores the damage that everyday evil can do—and what it takes to overcome it.

Amid a global pandemic, one young woman is trying to keep the pieces together – of her family, stunned by a devastating loss, and of her mind, left mangled and misfiring from a mystifying disease. She’s afraid of her own floorboards, and “WHAT IS LOVE? BABY DON’T HURT ME” plays over and over in her ears. She hates her friends, or more accurately, she doesn’t know who they are. Has the illness stolen her old mind and given her a new one? Does it mean she’ll get to start over from scratch, a chance afforded to very few people?

Esmie is meant to be invisible. A cleaner for an exclusive gated neighborhood in Ireland, Esmie fades into the background, slipping in and out of kitchens and closets, quietly observing her clients’ perfect domestic lives. These entitled families only see a quiet woman with a mop in hand, who speaks with an accent they don’t bother to place, and this is exactly what she wants.

After a steady descent from literary stardom, Lane Warren is back. She’s secured a new book deal based off the life of her sometimes friend and more often rival, notorious free spirit and muse, Gala Margolis. Lane’s only problem is that Gala has been missing for months…nobody can find her. Ten years earlier, Gala was a charming socialite and Lane was a Hollywood outsider amidst the glittering 1960’s LA party scene. Though never best friends, Lane found Gala sharp and compelling. Gala liked that Lane took her seriously. They were both writers. They were drawn to each other.

An immediate triumph when it was published in 1947, The Plague is in part an allegory of France’s suffering under the Nazi occupation, as well as a timeless story of bravery and determination against the precariousness of human existence.

Annie has avoided returning to her hometown of Ridgewater since the terrible night twelve years ago when her childhood best friend, Giselle, lost her life. But now Annie’s brother has been injured in an accident identical to Giselle’s, and she knows she must go back. Giselle’s mother – still living in the house next door to Annie’s family – is as creepy as ever, consumed with the memories of her dead daughter. Natalie, another of Annie’s old friends, is similarly obsessed, desperate to uncover the truth of what really happened that night.

A novel within a novel, we read here Milton’s account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, sometimes surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of racial and institutional violence and the systemic injustices in our systems of incarceration and so-called reform.