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The Philippines, 1941. Young and gifted, Italian Filipina Caramina Grassi dreams of voice training in Italy to become an opera singer like her older sister, Rosa, and their Nonna before her. But when the Japanese military invades, Caramina's family is forced to flee to the mountainous Luzon jungle. Finding comfort in her music, she must find the strength to not only survive but fight to protect her siblings and overcome the devastation of war.

Birdie Rhodes was only thirteen when legendary modeling agent Harriet Goldman discovered her in a department store and transformed her into one of Harriet’s Girls. What followed felt like the start of something incredible, a chance for shy Birdie to express herself in front of the camera. But two years later, she meets a thirty-one-year-old rock star, and her teenage heart falls hard as he leads her into a new life, despite Harriet's warnings. Then, as abruptly as it began, it’s over, like a lipstick-smeared fever dream.

It’s 1951 at the secluded Bellerton College, and Deena Williams is an outsider doing her best to blend in with her wealthy and perfectly groomed peers. Infamous for its strict rules as much as its prestige, attending Bellerton could give Deena the comfortable life she’s always dreamed of. She quickly forms an alliance with the five other freshmen on her floor, and soon they are singled out by the president’s wife as the most promising girls of their class, who anoints them: The Belles.

As the turbulent twentieth-century nears its end, calls for independence grow increasingly louder in the Soviet Georgia. During this period of great upheaval, childhood friends Keto, Dina, Nene, and Ira grow up in one of the many “Italian courtyards” that define Tbilisi’s Sololaki neighborhood. Rising up to challenges both personal and political, the four women’s friendship seems indestructible, until an unforgivable act of betrayal and a tragic death shatters their bond.

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The third and final book in the best-selling Eve of Man trilogy.

“The unopenable box. A mythical object that appears in fairy tales and folklore across all cultures around the world. Sometimes the box can only be opened by the right person at the right time, such a rightful heir, and in other tales it is considered a warning. A test given to the protagonist who are typically forbidden from opening the box. When they eventually succumb, what they unleash cannot be put back in.”

In many ways, twelve-year-old Artem’s life in Chernihiv, Ukraine, is normal. He spends his days helping on his grandfather’s sunflower farm, drawing in his sketchbook—a treasured gift from his father, who works in America—and swimming in the river with his little brother, Yuri. In secret, Artem has begun wrestling with romantic feelings for his best friend, Viktor. In a country where love between two boys is unthinkable, Artem has begun to worry that growing up, his life will never be normal.

Big-hearted evocative, and achingly relatable, What We Leave Behind grapples with destiny, belonging, and love, and makes us question our own idea of family: the kind we’re born into and the kind we create.

From the award-winning, bestselling author of All the Quiet Places, comes Brian Thomas Isaac's highly anticipated, haunting and tender return to the Okanagan Indian Reserve and a teenager's struggle to become a man in a world of racism and hardship.

Winner of the Campiello Prize, The Lake’s Water Is Never Sweet is an unflinching portrait of a generation, striving to make a place for themselves in a world markedly different from the one their parents promised them. With psychological acuity and stylish prose, Caminito takes us into the volatile, searching mind of a young woman torn between her desire to connect with others and her drive for self-preservation.

Christmas, 1983. In the aftermath of yet another furious argument, seven-year-old Andrev’s mother lets him in on a secret: his father is, in fact, not his father. And so begins a new kind of childhood, in which fathers come and go, arriving in red Volvos and sweeping his mother off her feet. Fathers can be magicians or murderers, artists or canoe enthusiasts, and, like growing pains, or the weather, they appear uninvited and leave without warning. Fathers are drawn to his mother like moths to a flame – but even she can’t control how they behave.

Bijoux wird nach Unruhen in Kinshasa als Teenager zu ihrer Tante Mira nach London geschickt. Hier verliebt sie sich zum ersten Mal – in eine Frau. Vor ihrer religiösen Tante muss sie das verbergen, doch sie ahnt nicht, dass auch diese ein Geheimnis vor ihr hat: den wahren Grund dafür, dass sie vor vielen Jahren von Afrika nach Europa kam, in ein Land, in dem sie sich immer noch nicht zu Hause fühlt. Bijoux weiß: So wie Tante Mira will sie nicht enden. Und trifft eine Entscheidung.

The tables turn when the girl August Lancaster couldn’t stand at Lancaster Prep shows up at the same university he attends. She is suddenly everywhere. And is determined to remind him exactly who she is . . .

Nicholas has plenty of reasons to feel unstable: he’s fifteen, the child of divorced parents, living with his absent dad in the bleak Chicago suburbs, and an outsider at school. Then, one day in geometry class, he forgets how to breathe. The doctor says it’s just panic, but Nicholas suspects that his real problem might not be a psychiatric one: maybe the Greek god Pan is trapped inside his body.

When her family falls on hard times, Kitty refuses to give in to despair. With a talent for painting, she earns a few shillings selling her portraits at the bustling Soho Bazaar. But danger waits in the shadows, and when her mother is swindled out of almost everything and her sister is drawn into a reckless affair, their future hangs by a thread. As winter tightens its icy grip, can Kitty give them hope when all seems lost?

Underhill is my ruthless mother. Her realm is my deadly home. The brutal creatures here are both foe and friend. But the group of fae that just attacked me? They're all foe. Dragged from my game of hide-and-seek with a dragon, and my home of twenty-one years, I'm thrust into a weak, ugly realm. Earth. Something is taking the fae children of the Irish court, and an Oracle has declared I must find them. Nope. Not my problem. Bye. Except a three-year-old girl they suspect is the next Queen of All Fae was taken too.

Despite the oddballs that keep turning up on her dates, Anna couldn’t be happier. As a 30-something with a job she loves, life has turned out better than she dared dream. However, things weren’t always this way, and her years spent as the ‘Italian Galleon’ of an East London comprehensive are ones she’d rather forget. So when James Fraser – the architect of Anna’s final humiliation at school – walks back into her life, her world is turned upside down. But James seems a changed man. Polite. Mature. Funny, even. People can change, right? So why does Anna feel like she’s a fool to trust him?

Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die. According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West.

Fourteen-year-old Ida was born with a hole in her heart. Forbidden from most physical activities and considered strange by her teachers and peers, she prefers spending time alone, memorizing countries and capitals on her globe and imagining the world outside the tiny logging town of Mineral, Washington. One afternoon, in walks her cousin Elna, here to stay for a few weeks. Ida hasn't seen Elna since they were young, and she's immediately drawn to her older cousin, who's everything Ida is not: confident, glamorous, charismatic, and daring.