Próximamente

Zoe, Al, Rachel, Rob, Yas and Indie. Six friends who were inseparable at university, who have all had their secret or not so secret passions for each other, their own hopes and fears. Set over one year and told from multiple perspectives, BIRTHS, DEATHS AND MARRIAGES is an era-spanning, globe-trotting novel about love, friendship, and how to stay at least relatively sane in an ever crazier world. It’s about a group of friends growing older, a pair of sometime lovers finding their way back to each other, about kindness and joy. It’s about births, deaths, marriages, and everything in between.

Hugo Hunter was the most celebrated gay novelist of the 20th century. He published two masterpieces, securing his place alongside the dazzling literary greats of the 1950s, 60s and 70s, and rubbing shoulders with everyone from Truman Capote to James Baldwin. But after decades of fame and excess, just as New York City enters the 1980s and awakes to the coming horror of AIDS, Hugo finds himself running out of money. Out of nowhere, he receives an extraordinary lifeline: an offer from his longtime publisher. The money will solve all his problems – except for one thing. Hugo Hunter is an imposter.

1997. It’s Red Nose Day and Tess, Candace, Dana and Arianna rock up to school dressed as the same Spice Girl. Embarrassing. But it’s the start of a friendship that will see them through the challenges of school, family life, dreaming up their future and first relationships – good, bad and unspeakable. 2019. The girls haven’t been in touch for years – since devastating secrets and the trials of adult life tore them apart. Until, one day, Candace contacts Tess and Arianna to say Dana has gone missing.

To the world, Jane Brown, a Los-Angeles based professional organizer, is a model of composure and reticence. But inside, she’s fiercely judgmental and critical of herself and others. A lover of order and tidiness, she struggles to accept the world’s exasperating messiness of both her own clients—a superficial sphere of influencers and rich creatives—and her live-in boyfriend, who is becoming as aggravating as he is comforting. When she arrives at the home of a new client, a has-been Hollywood actress—a woman opposite to her in every way—Jane finds herself unexpectedly moved.