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Of course nineteen-year-old Brennan’s life would be upended by something as ridiculous and unexpected as turning into a vampire. But if there’s one thing Brennan can do, it’s pretend everything’s fine. Yet Brennan’s new bloodthirsty existence gets way more complicated after Cole, the super cute librarian – and everyone’s campus crush – stumbles on Brennan drinking from a stolen blood bag. To his surprise, Cole is happy to keep Brennan’s secret, and even seems to . . . maybe like him?

Gabriel is at rock bottom: a scandalous break-up with his wannabe poet ex-boyfriend, followed by a sudden sacking, and he’s spiralling. Thank God for his best friends, Tasha and Evie, who are committed to pulling him out of his depression hole and back into the world of work and dating. But suddenly there are new problems: How can he convince DiscreetHung from Grindr to go on a real-life date with him? Could the gorgeous man in the Post Office be The One? And why is Tasha’s boyfriend, Scott, trying to get between her and Gabe?

After winning his first Olivier Award for his performance in the West End’s top musical, The Wooden Horse, fabulously talented Jonah Penrose is the new shining star of London’s theatre scene. But Jonah’s success can’t erase the pain of a recent breakup, fix his self-doubt, or remedy his father’s ailing mind.\ Enter stage right, Dexter Ellis: the West End’s golden boy, the newest cast member of The Wooden Horse, and someone Jonah finds to be intolerable and arrogant.

Across Lagos, one of Africa's largest urban areas and one of the world's most dynamic cities, Osunde’s characters seek out love for themselves and their chosen partners, even as they risk ruining relationships with parents, spouses, family, and friends. As the novel unfolds, a rolling cast emerges: vibrantly active, stubbornly alive, brazenly flawed. As these characters grapple with desire, fear, time, death, and God, they form and break unexpected connections.

When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. This staggering, irreverent, gentle and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’ poetics.

They call it the King's Breakfast. One bite and you can understand the full scope of the universe; one bite and you can commune with forgotten gods beyond human comprehension. And it only grows deep in the Pamogo forest, where the trees crowd so tight that the forest floor is pitch black day and night, where rumors of strange cults and disappearing hikers abound. Sarah makes her living growing mushrooms. When a bad harvest leaves her in a desperate fix, the lure of the King's Breakfast has her journeying into those vast uncharted woods.

Set in Taiwan and the Silicon Valley, a collection of linked stories that explore the meaning of success and the purpose of existence, centered on the short life and long shadow of an engineering genius who descends deeper into despair while rising higher on the professional ladder.

Susan “Zuzu” Braeburn is almost forty. She has the life she’s always dreamed of – a beautiful house, a child, a successful partner. But something between her and her wife has been off for a long time, and she can’t help but wonder if she’s chosen wrong at every turn. Choosing to live with her white mother over her Black father in the divorce, choosing to become a lawyer rather than an artist, and most importantly, choosing to marry Agnes despite her unrequited feelings for her male best friend Cash.

At the height of lockdown, a group of flailing twenty-something friends makes an illicit break for freedom. A grand country house stands empty. Once the home of Theo's great uncle, it seems like the perfect place to get high and hang out in the spring sunshine, as they eschew adult responsibilities.

As night falls on the city of Carbon, Hal and his friends are cruising the backroads in their terrible car. From the wrestling gym to the gas station, from his mom’s kitchen to the mall parking lot, Hal bears quiet witness to the beauty and the horror he perceives in the slow, lonely world of his hometown. Withdrawn and reticent, Hal is haunted by the specter of violence. Safety and comfort are hard won in Carbon, a town dogged by stories of desperation and brutality, and his own home is a dark vault of troubled and unspoken memory.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

Magnetic, haunting, and tender, Extinction Capital of the World is a stunning portrait of Hawai’i—and a powerful meditation on family, queer love, and community amid imperialism and environmental collapse. In ten vibrant, affecting stories, Mariah Rigg immerses listeners in contemporary Hawai’i. By turns heartbreaking and hopeful, these stories of love, longing, and grief are fierce dispatches from a state haunted by the specter of colonization, a precious biome under constant threat.

In a lighthouse on a crumbling coastline, two greying wives keep the fires lit, reading futures in fish scales and sending signals into the dark, while a monster with an almost human face circles their garden, sly and hungry. Further up the coast, a woman experiencing strange cravings after an intense heartbreak feels herself pulled to the light at the cliff's edge, where she might finally be able to satisfy her hunger.

As the healer’s daughter, Malka has seen how the wood’s curse has plagued her village, but the Ozmini Church only comes to collect its tithe, not to listen to heretics with false stories of monsters in the trees. So when a clergy girl wanders too close to the forest and Malka’s mother is accused of her murder, Malka strikes an impossible bargain with a zealot Ozmini priest: bring the monster out and spare her mother from execution.