Robin D. G. Kelley
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Robin D. G. Kelley

History | Politics & Social Sciences | Arts & Entertainment
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Robin D. G. Kelley never met Thelonious Monk, but he grew up with his music. Born in 1962, he spent his formative years in Harlem in a household and a city saturated with modern jazz. As a child he took a few trumpet lessons with the legendary Jimmy Owens, played French horn in junior high school, and picked up piano during his teen years in California. In 1987, Kelley earned his PhD in History from UCLA and focused his work on social movements, politics and culture--although music remained his passion. During his tenure on the faculties of Emory University, the University of Michigan, New York University, and Columbia University, Kelley's scholarly interests shifted increasingly toward music. He has written widely on jazz, hip hop, electronic music, musicians' unions and technological displacement, and social and political movements more broadly. Before becoming Professor of American Studies and Ethnicity at the University of Southern California, Robin D. G. Kelley served on the faculty at Columbia University's Center for Jazz Studies, where he held the first Louis Armstrong Chair in Jazz Studies. Besides Thelonious Monk: The Life and Times of an American Original, Kelley has authored several prize-winning books, including Hammer and Hoe: Alabama Communists During the Great Depression (University of North Carolina Press, 1990); Race Rebels: Culture Politics and the Black Working Class (The Free Press, 1994); Yo' Mama's DisFunktional!: Fighting the Culture Wars in Urban America (Beacon Press, 1997), which was selected one of the top ten books of 1998 by the Village Voice. He is currently completing Africa Speaks, America Answers: Modern Jazz in Revolutionary Times (Harvard University Press, forthcoming 2011), and a general survey of African American history co-authored with Tera Hunter and Earl Lewis to be published by Norton. Kelley's essays have appeared in several anthologies and journals, including The Nation, Monthly Review, The Voice Literary Supplement, New York Times (Arts and Leisure), New York Times Magazine, Rolling Stone, Color Lines, Code Magazine, Utne Reader, Lenox Avenue, African Studies Review, Black Music Research Journal, Callaloo, New Politics, Black Renaissance/Renaissance Noir, One World, Social Text, Metropolis, American Visions, Boston Review, Fashion Theory, American Historical Review, Journal of American History, New Labor Forum, Souls, Metropolis, and frieze: contemporary art and culture, to name a few.
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Black Marxism

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Featured Article: From the Queen of Soul to the Purple One, Hear the Stories of Black Musicians and Artists Who Broke Boundaries


This Black History Month—and every day of the year—we're shining a light on artists and thinkers who demonstrate the boundless depths of Black creativity, joy, and love. We've gathered a list of memoirs by and biographies about artists who totally upended the expectations of a white-dominated field and crafted something entirely their own, making history and changing lives as a result.

Featured Article From the Queen of Soul to the Purple One Hear the Stories of Black Musicians and Artists Who Broke Boundaries

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